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		<title>LAST POET Strikes Gold</title>
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		<pubDate>Sun, 18 Oct 2026 16:07:50 +0000</pubDate>
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					<description><![CDATA[<p>Blending the high-stakes world of finance with poetic depth, Michael Goodwin’s acclaimed work, The Last Poet on Wall Street, has struck gold—earning a coveted gold medal from Literary Titan, recognized for its standout literary excellence. Forthcoming on October 24th, the New Adult novel has also won a Readers’ Favorite 5-Star Review Award. Pre-order ahead of the [&#8230;]</p>
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<p>Blending the high-stakes world of finance with poetic depth, <a href="https://harvardsquareeditions.org/book/the-last-poet-on-wall-street/" target="_blank" rel="noopener">Michael Goodwin</a>’s acclaimed work, <a href="https://www.tiktok.com/@harvardsquareeditions/video/7694670101001391382" target="_blank" rel="noopener"><i data-path-to-node="4,0" data-index-in-node="95">The Last Poet on Wall Street</i></a>, has struck gold—earning a coveted <a href="https://harvardsquareeditions.org/book/the-last-poet-on-wall-street/">gold medal from Literary Titan</a>, recognized for its standout literary excellence. Forthcoming on October 24th, the New Adult novel has also won a Readers’ Favorite 5-Star Review Award. <a href="https://www.amazon.com/Last-Poet-Wall-Street-ebook/dp/B0GHSRSFG6/ref=sr_1_1?crid=6I1O10C54FSW&amp;dib=eyJ2IjoiMSJ9.LKImb7KCOvoB4f-pwDA2BA.gElCk3hEsodrtYk9qUN0V7MIWo2VMwLYgNMAh0f7ydg&amp;dib_tag=se&amp;keywords=the+last+poet+on+wall+street&amp;qid=1791096787&amp;s=digital-text&amp;sprefix=the+last+poet+on+wall+street+%2Cdigital-text%2C341&amp;sr=1-1" target="_blank" rel="noopener">Pre-order</a> ahead of the <a href="https://harvardsquareeditions.org/michael-goodwins-the-last-poet-on-wall-street/" target="_blank" rel="noopener">book launch at Barnes &amp; Noble</a> on October 24th, 2026.</p>
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		<title>The Sinterklaas Party</title>
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		<pubDate>Tue, 23 Dec 2025 10:50:06 +0000</pubDate>
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					<description><![CDATA[<p>BY JL MORIN ***** A VERSION OF THIS STORY WAS FIRST PUBLISHED IN THE HARVARD ADVOCATE, ONE CHRISTMAS FORTY YEARS AGO***** &#160; &#160; &#160; Letters. Letters from America and everywhere else lay open and half read on the banquet table. Rosa presided over them like a benevolent, if not slightly frantic, queen. The banquet table [&#8230;]</p>
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										<content:encoded><![CDATA[<p><em><strong>BY JL MORIN</strong></em></p>
<p style="text-align: center;">***** A VERSION OF THIS STORY WAS FIRST PUBLISHED IN THE HARVARD ADVOCATE, ONE CHRISTMAS FORTY YEARS AGO*****<br />
&nbsp;<br />
&nbsp;<br />
&nbsp;</p>
<p style="text-align: justify;">Letters. Letters from America and everywhere else lay open and half read on the banquet table. Rosa presided over them like a benevolent, if not slightly frantic, queen. The banquet table was no longer for food; it was a paper geography of the family diamond business. There were letters from America, smelling of ambition and filtered cigarettes, Belgium, waxy and efficient, and Australia, full of complaints about fires and deadly spiders.</p>
<p style="text-align: justify;">Technically, these weren&#8217;t addressed to Rosa. They were for Menno. But Menno was currently &#8220;out of order,&#8221; and since he couldn&#8217;t tell a postmark from a pancake, Rosa had stepped in. She didn&#8217;t just see addresses; she saw stories.</p>
<p style="text-align: justify;">Rosa’s filing system was a masterpiece of &#8220;Rosa-logic&#8221;: The Northern Hemisphere neatly stacked near the saltshaker. The &#8220;Why is Dutch So Difficult?&#8221; pile was reserved for the maid, who arrived at four o&#8217;clock to translate words that Rosa was convinced were just typos. And then there was the big pile on the floor for the country of the Dead. A sprawling tragedy on the pile for people who had stopped answering their mail.</p>
<p style="text-align: justify;">&#8220;Oh, Hans,&#8221; she muttered to a weathered airmail envelope. &#8220;From Germany to France, then on to Sydney to escape the war? Exhausting. Have a seat near the butter dish.&#8221; At 2:00 a.m., she filed a Luxembourgeois in the German pile—a diplomatic incident of first order—and had to extradite him with apologies back across the table before bed.</p>
<p style="text-align: justify;">And then there were the ones in Dutch, which she had never managed to learn, that had to be saved until the maid came at four o&#8217;clock. She turned back to her typewriter, huffing a stray lock of white hair out of her eyes. But all things considered, Rosa was enjoying the task; it gave her purpose. And she was finding a lot of them, too. And they would come, she was sure of it; of course, they would come, and from anywhere, because he was Menno, their <em>‘Wonderbaarlijk</em> Menno’.</p>
<p style="text-align: justify;">On the fourth day, she set down her lists and her letters, folded her glasses, and stared blankly out the window at the street below, vaguely looking for the redhead, who didn&#8217;t pass this way anymore. Rosa stood there, watching the people hurrying about, packages under their arms and chins, busy, busy.</p>
<p style="text-align: justify;">Four o&#8217;clock. The door clicked open, and Ineke, the maid, walked in. She was a woman of sturdy Dutch stock who viewed Rosa’s paper empire with the weary patience of a zookeeper.</p>
<p style="text-align: justify;">Rosa was currently holding a letter at arm&#8217;s length, squinting at it as if she could intimidate the Dutch language into becoming English through sheer willpower.</p>
<p style="text-align: justify;">&#8220;Ineke! Thank heavens,&#8221; Rosa heralded, waving a blue envelope. &#8220;The Dutch are at it again. They’ve sent a letter that consists almost entirely of the letters &#8216;G&#8217; and &#8216;Z&#8217;. Is it an invitation or a grocery list? I’ve had it sitting in &#8216;The Netherlands&#8217; pile for three hours, and it’s starting to look smug.&#8221;</p>
<p style="text-align: justify;">Ineke set down her mop and took the letter. She glanced at it for half a second. &#8220;It is a bill for the gas, Mevrouw.&#8221;</p>
<p style="text-align: justify;">Rosa gasped, clutching her chest. &#8220;A bill? We shall not have such negativity on the banquet table. Put it in the Country of the Dead. It ruins the vibe of the South African correspondence.&#8221;</p>
<p style="text-align: justify;">&#8220;I cannot put the gas bill with the dead people, Mevrouw,&#8221; Ineke sighed, moving a stack of Australian letters away from a puddle of spilled tea. &#8220;The heat will go out. We can’t have a frozen statue at your window.&#8221;</p>
<p style="text-align: justify;">&#8220;Ineke, look at this one. From America! This man named &#8216;Tex&#8217; writes like he’s shouting from a horse. I’ve put him next to the Belgian pile so he can learn some manners.&#8221;</p>
<p style="text-align: justify;">“What are these?” Inke picked up the pile on the windowsill.</p>
<p style="text-align: justify;">“Those are…I don’t know. I’m waiting for the sun to hit them at a certain angle and reveal the whereabouts of the hidden chocolate.&#8221;</p>
<p style="text-align: justify;">Ineke set the letters down again, hidden affection twitching at the corner of her mouth.</p>
<p style="text-align: justify;">And then she was gone, and Rosa stood alone at the window, her nose nearly touching the cold glass. She wasn&#8217;t just observing the street; she was conducting it.</p>
<p style="text-align: justify;">Her current target was a man in a very serious grey coat who looked like he was in a hurry to be miserable. He was carrying a briefcase and walking with a stiff, rhythmic thud.</p>
<p style="text-align: justify;">&#8220;No, no, Grey-Coat,&#8221; she muttered, her breath fogging a small circle on the pane. &#8220;You aren&#8217;t going to the office. You look like someone from The Australian Pile. You need to walk with more&#8230; bounce. Think of a kangaroo.&#8221;</p>
<p style="text-align: justify;">She pressed her palms against the glass, closing her eyes to send a concentrated beam of Rosa-energy down into the slushy street.</p>
<p style="text-align: justify;">&#8220;Turn left at the canal,&#8221; she commanded under her breath. &#8220;Go on. There’s a bakery there. You look like a man who has forgotten what a cream puff feels like. If you go to the bakery, I go to the bakery. We are one, Grey-Coat. We are joy.&#8221;</p>
<p style="text-align: justify;">The man paused at the corner. He looked at his watch. He looked at the sky.</p>
<p style="text-align: justify;">&#8220;That’s it.&#8221; Rosa’s fingers twitched as if she were moving a chess piece. &#8220;The bakery is calling. It smells like cinnamon.&#8221;</p>
<p style="text-align: justify;">The man took a hesitant step toward the canal, then ducked into the bakery.</p>
<p style="text-align: justify;">Through the lead glass windows, the sun made an appearance, etching diamonds on the cherry-wood table. She sat back down at her typewriter, her fingers hovering like a concert pianist about to play, ‘You are cordially…’, in A minor. Now and again, her eyes would wander back to the window pain and meet with Whomever, glancing up for a moment before plodding on through the snow. She was up there at her typewriter every day, and had been there every day for a long time…how many people had caught her eye as she stared out of her beveled windows…how many had known her, if only briefly?</p>
<p style="text-align: justify;">Many. A picture of the white-haired woman hunched over her typewriter implanted itself in a chamber of each passerby&#8217;s mind, and each carried it onward through the winter world. In this way, Rosa traveled without ever leaving her house. She glided with them down, down the street that skirted the harbor of neglected boats, frozen in their icy graves, and on to Damstraat&#8217;s tiny shops in the heart of the city. There, Rosa scattered, as each carrier chose a different path through the city&#8217;s arteries, some following brick avenues lining sunken canals, others heading for arched bridges connecting northbound pedestrians with southbound over water. Hitchhiking in the minds of strangers, flowing through the city’s arteries like a very caffeinated blood cell, she was everywhere at once. In this way, she joined their dissonant ensemble, even felt the pulse of the ancient city as they did, flowing onward like blood cells into a flow of minute attractions and repulsions.</p>
<p style="text-align: justify;">They skidded past one another, collided, separated, swirled through turnstiles, funneled into narrow alleys. And among the looming and dissolving shadows and colors of their memories, lived the dim face of the white-haired woman. The pulse slowed as they coagulated on corners at red lights, clinging to each other as if they had a reason for coming together, a purpose, something to exchange―perhaps the dim memory&#8230;.</p>
<p style="text-align: justify;">They bunched up around Freya, but she didn’t want to know right now. They, too, would pay for the fancy college that taught how to hate parents. She stepped out from the crowded curb. A driver skidded to a stop. She grinned at him, and flounced through the streets―out and about, at a speedy pace. She was mad, and could read the fear in the faces she met. Strange that they should be frightened by the little red Freya in her big boots and black leather jacket. Yes, it felt strange&#8230; and good. She laughed and tore down the street, open jacket flapping loud in the back. Heads turned as she passed―a thief? She went through the Museumplein and the Vondel Park the day of the incident at the Happy Family. This libertine bar was full to the brim with freaks of every size, shape and color. The reggae beat ricocheted  off  the walls, and  spider  plants crept down from the rafters over the tables, never quite reaching  the customers&#8217; plates. The room was dark and solid with smoke. Green sawdust had been spread out on the floor to soak up the slush from the streets. It was dinnertime. Plates of rice and stew were being passed out at all the tables.</p>
<p style="text-align: justify;">Freya climbed onto a barstool with the grace of a caffeinated cat and ordered a plate of deep-fried cod and a beer that looked like it could dissolve a penny.</p>
<p style="text-align: justify;">She became aware of a stare. It was coming from the boy next to her. He must have been about eighteen, too. A blond, farm-fresh boy who had obviously never seen a girl in a leather jacket before, and seemed frightened but intrigued.</p>
<p style="text-align: justify;">Freya cleared her throat and turned to him. What a normal, blond guy.</p>
<p style="text-align: justify;">He looked down, embarrassed.</p>
<p style="text-align: justify;">&#8220;What&#8217;s the matter.&#8221; Freya said in a loud voice. She hadn’t caught on to the genocide yet, and played her part unwittingly. She was, in fact, currently under the impression she was in a gritty movie.</p>
<p style="text-align: justify;">The boy turned a ripe shade of radish. &#8220;No, no, I&#8217;m&#8230;&#8221;</p>
<p style="text-align: justify;">&#8220;You don&#8217;t like my face? ls it my hair?&#8221; she demanded, gesturing to her flaming red locks, which looked like they were trying to escape her head. &#8220;Does it remind you of a forest fire? Do you need a bucket of water?&#8221;</p>
<p style="text-align: justify;">The boy panicked and retreated into a frantic string of Dutch that sounded like a bag of marbles falling down stairs. Freya didn&#8217;t understand a word, so she did the only logical thing. She threw her head back and barked a laugh so loud it nearly rattled the foam off her beer.</p>
<p style="text-align: justify;">On a much higher dosage, three boys at a nearby table looked up. They saw the country boy—camouflaged against the wallpaper—and they saw Freya, a tiny, leather-clad fireball.</p>
<p style="text-align: justify;">&#8220;He&#8217;s apologizing!&#8221; one of the boys shouted in English. &#8220;He thinks you’re going to hit him!&#8221;</p>
<p style="text-align: justify;">&#8220;I might!&#8221; Freya roared, sensing she was the star of the show. She laughed harder. The boy’s English amends were getting more desperate, his hands fluttering like trapped birds.</p>
<p style="text-align: justify;">Between thick clouds of various substances floating in the air and the sheer absurdity of the couple, the bar began to crack, not in giggles, but from a structural failure of respect.</p>
<p style="text-align: justify;">The Sawdust cacaphony caught like frying butter in a hot pan—popping and spitting on all the surfaces. Bored, stoned customers looking for a reason to exist began to erupt like a series of volcanoes. The laughter seeped into the floor, turning the sawdust carpet a shade of green that was probably biologically concerning. The ripples of sound literally shook the boy’s stool. The laughter traveled up his legs, into his arms, and finally cracked his offended face wide open. He stopped being a victim and started being a participant in the madness.</p>
<p style="text-align: justify;">For a moment, the entire bar was a pool of common hysteria. The walls reverberated until somewhere, neighborhoods away, Rosa, staring out her window, nodded knowingly.</p>
<p style="text-align: center;">&#9679;</p>
<p>Now the snow had fallen, and walking the streets must be like stepping into a Christmas card. Leaving the chocolate shop, past the tall, skinny canal houses—with curtains wide open, you can see into cozy living rooms where Christmas trees stand against floor-to-ceiling windows, and candles flicker on cherry wood tables like Rosa&#8217;s. Her party room was vast and dark, but for the flickering of the living room candles and the light in the kitchen, where Rosa was mixing eggnog in the blender. He liked it sweet, she thought, scooping out eight tablespoons of sugar. Then, she began counting out vitamins from an assortment of brown and green medicine bottles, eight, nine, ten, and a teaspoon of sugar makes the medicine go down, in the most &#8230;. The blender hummed.</p>
<p style="text-align: justify;">With a full tray, she approached the La-Z-Boy by the fireside. &#8220;Would you like some eggnog, Menno?&#8221; Rosa bent over the chair. &#8220;Eggnog, Menno? Menno.&#8221;</p>
<p style="text-align: center;">&#9679;</p>
<p>The boy slid off his stool like an electrified eel and sprinted out the door as if he’d just realized he’d left his tractor running.</p>
<p style="text-align: justify;">Freya blinked. The audience—the bored, stoned customers—immediately lost interest in her. Their faces folded back inward, their eyes glazing over as they returned to staring at the cool, neutral blue spots at the back of their own skulls, as if someone had flipped a switch.</p>
<p style="text-align: justify;">&#8220;Well,&#8221; Freya muttered, looking at her half-eaten plate of deep-fry. She had a nagging feeling that Menno wouldn&#8217;t have been particularly proud of her for terrorizing a farmhand, but Menno wasn&#8217;t here, and the farmhand had been remarkably easy to startle. She slapped some money onto the bar and walked out into the night.</p>
<p style="text-align: justify;">Outside, the Amsterdam mist had settled in, and a neon sign was having a breakdown above the door. The neon heartbeat of THE&#8230; THE&#8230; THE&#8230; HAPPY&#8230; HAPPY&#8230; HAPPY&#8230; FAMILY&#8230; FAMILY&#8230; FAMILY…pulsated RED, then BLUE, as if it had just run a marathon. On either side, neon dolphins leapt through hoops, looking far more athletic than Freya felt. Painted neon teardrops splashed off their wave crests, frozen in a loop of eternal frolic.</p>
<p style="text-align: justify;">The sky leaked a quiet, unconscious drizzle. Down the block, a street musician’s clarinet wailed a final, lonely note. Freya pulled her leather jacket tighter. She started walking, her boots clopping against the wet cobblestones.</p>
<p style="text-align: justify;">Standing at the intersection of the Reguliersgracht and Herengracht, Freya paused. The frost on the iron railings caught the light, making the ancient metal look as if it had been powdered with sugar. The water in the canals shone amber and emerald blue, ice floating under the Seven Bridges, lined up. Their illuminated arches created a tunnel of light that went on infinitely into the mist.</p>
<p style="text-align: center;">&#9679;</p>
<p style="text-align: justify;">Somewhere, blocks away, Rosa was tucking her letters into bed, subtly aware that her fiery redhead was feeling like a very damp matchstick.</p>
<p style="text-align: center;">&#9679;</p>
<p style="text-align: justify;">Bundled in a yellow comforter, his feet elevated, Menno&#8217;s withered mass lay back in its easy chair, looking less like a man and more like a very expensive, very tired lemon crepe. Freya turned on his Walkman, and &#8220;Claire de Lune&#8221; played softly in his eardrums.&#8217; He gulped down the pill she gave him and waited for the stabbing pain to be lifted away, while Rosa was sleeping.</p>
<p style="text-align: justify;">The fire licked the warm, smoky air, like the tongues of Freya&#8217;s red hair, slipping out the door. Its rhythm melted his limbs into weightlessness. A good pill. Not like the ones the doctors were giving him. He could feel sweat running off his nose and cheekbones, dripping into his ears and over his scalp, so slowly. Down, down, until it reached the pillow. Or was that his hair growing? Yes, his hair, slowly coiling out of his head. Yes. He could feel it crawling like a microscopic crab ant, down, down onto the pillow-a creature of direction, despite its ridiculous size, one will, one aim: down. He felt it touching his skin with its every step, every step a moment, every moment, a lifetime.</p>
<p style="text-align: justify;">His family. His friends. They melted into his pillow like the phantom ant. He watched their shapes, rising and sinking, crawling all around him in different directions, laying out their histories like lines on a map, drawing their lines into a tangle. Never stopping. Just passing through. Just looking, not buying anything today, thank you, just browsing your consciousness…just&#8230; passing&#8230; through&#8230;.</p>
<p style="text-align: justify;">Rosa, buzzing in his ear,&#8221; Menno, would you like&#8230;,&#8221; but no energy to shoo her away.</p>
<p style="text-align: justify;">&#8220;Menno?&#8221;</p>
<p style="text-align: justify;">&#8220;Mennooo&#8230;.” Like a persistent bumblebee in a cardigan.</p>
<p style="text-align: justify;">He swam deeper and deeper, to where the water was warmest. He would stay down here among the undulating fingers of seaweed and the penetrating shafts of light emanating from that mysterious, perilous, buzzing world above. He would stay down here with the seaweed and the light. Beautiful shafts of light, playing off the blue ocean currents and the sandy bottom   and all the backs of  all the underwater creatures, giving color to everything &#8230;to everything&#8230; The light. How dark and horrible, never to see the beautiful light again. Never. Forever. As if it never was. Farewell. No.</p>
<p style="text-align: justify;">Behind Menno’s eyelids, shapes rose and fell like waves. A new day. Fields of tall grass, dried to golden lifelessness by the ravaging torch in the sky, and at the same time soothed in their death beds by the coolness of breezes running through the grass like fragmented sunlight rippling over bodies of water blue and deep, deep as eyes. Cool, joyful, lurching  waves, their tips bleached pale green by the savage rays the moment before breaking onto the sand, breaking, rolling, crashing on and on until their deliverance into a winter landscape. One moment, he was looking at pinkening skies and weeping willows; the next, they were whisked away by an eggnog intrusion.</p>
<p style="text-align: justify;">&#8220;Mennooo&#8230; would you like&#8230;?&#8221;</p>
<p style="text-align: justify;">The buzzing was back. The goddess of the banquet table had returned from her letter-sorting to offer him a mortal sacrifice.</p>
<p style="text-align: justify;">&#8220;No. Thank you,&#8221; he whispered. His sunken eyelids twitched, but they were currently locked from the inside by purple veins. He couldn&#8217;t let her in. He was in the middle of a very important tangled-lines sequence. “I must go there alone.”</p>
<p style="text-align: justify;">&#8220;Come on, Menno. Sit up,&#8221; Rosa chirped, her voice cutting like a laundry pin through his pale green waves. &#8220;I thought you liked eggnog. I made a nice pitcher just for—&#8221;</p>
<p style="text-align: justify;">&#8220;No, thank you,&#8221; he repeated like a man trying to decline a telemarketing call.</p>
<p style="text-align: justify;">&#8220;Mennnooo&#8230; it has chocolate sprinkles on top!&#8221;</p>
<p style="text-align: justify;">The Surrender. &#8220;Okay,&#8221; he finally groaned. His lashes parted—a monumental effort that felt like opening a set of heavy theater curtains. He extended a limp club of fingers toward the sound.</p>
<p style="text-align: justify;">Rosa, ever the devoted caregiver, didn&#8217;t trust him with the glass. She shoved it toward his face herself. Menno, sensing that the only way back to his beautiful fluidity was through the drink, began to swallow.</p>
<p style="text-align: justify;">Thick, sticky fluid dripped down his neck, creating a sugary swamp in the folds of his yellow comforter. Rosa refilled the glass. She added nutmeg. Menno hated nutmeg, but in his current state, it tasted like the dust of a thousand stars. He gulped. He swallowed with the desperation of a man drowning in custard. He powered through the eggnog situation. until the pitcher was bone-dry.</p>
<p style="text-align: justify;">Satisfied that she had successfully refueled her husband, Rosa finally retreated to her typewriter. Menno slumped back, smelling strongly of holiday spices, and waited for the seaweed and the lemon moon to take him back.</p>
<p style="text-align: center;">&#9679;</p>
<p style="text-align: justify;">The room was cold and full of sleeping bodies tightly wrapped in woolen blankets. Freya opened her eyes. She focused on the clock hanging squarely in the middle of the white wall in front of her: it was one o&#8217;clock. The winter sun invaded the room via the balcony window, but it wasn&#8217;t bringing warmth—it was just bringing enough light to see how much dust was in the air.</p>
<p style="text-align: justify;">The blanket slipped from her shoulders as she stood erect, nudity blasting back at the metallic air. Her companions, still huddling under their blankets, followed her strut to the toilet. She stepped over and around them in perfect indifference, and even slowed at the window. But at the mirror, she crumbled, breasts sagging, intrusive. Her posture went from warrior queen to question mark. She felt the invisible weight of the room’s disappointed eyes on her back. She ducked into the stall and sat there, her head resting on her knees. It was today.</p>
<p style="text-align: justify;">But she was too weak. Her knees became hot with tears. Too, too weak&#8230;. She was Becky again, small, stupid, with that silly ponytail, waiting at bus stops in Michigan, only a year ago.</p>
<p style="text-align: justify;">It was really cold there, colder than Norway. She walked swiftly from the lab to the bus stop. She could almost see the yellow sign, &#8220;Coach Stop,&#8221; only a few blocks away. She couldn&#8217;t walk any faster without running, and that would be a mistake.</p>
<p style="text-align: justify;">Sagging houses with fallen porches frowned out their warnings under the influence of blackening skies. She heard their voices in her own breath, though she did not dare look to either side. Windowless cars with ratty tires sank in to weedy driveways of broken concrete and glass. A Cadillac, newly polished, red and black, sparkled on the side of the road. It belonged there, too; this was Detroit, and red ladies came with the night. She was running.</p>
<p style="text-align: justify;">Someone was back there following her. She ran and ran down the sidewalk, imagining herself falling down, over and over again with every step. She turned around.</p>
<p style="text-align: justify;">There was no one there. Her muscles relaxed. She laughed, and resumed thinking about the warmth of her pockets, out of reach- her hands were locked together around the biochemistry books Dr. Hammerman had lent her.</p>
<p style="text-align: justify;">Then she was at the bus stop. She put the books down, all but one, which she opened and tried to read. A grimy-looking man came from across the street. He looked Becky up and down. She returned his smile. Shit. This was the worst place to be white in at dusk.</p>
<p style="text-align: justify;">Pretty cold, huh?&#8221; the black man said.</p>
<p style="text-align: justify;">The conversation had begun. There was no way to stop it. Her reply must embody a precise tone of ease, invulnerability. She must not betray any fear that could be misconstrued as prejudice. &#8220;Yeah. And I bet the bus isn&#8217;t anywhere near here1&#8221; she agreed, suddenly afraid that perhaps she was right.</p>
<p style="text-align: justify;">&#8220;You know it. I wonder why them buses don&#8217;t ever come on time. Wisht we had a subway.&#8221;</p>
<p style="text-align: justify;">&#8220;I know, but then who would Ford sell cars to?</p>
<p style="text-align: justify;">&#8220;Seems they got their hooks in everything. I been livin&#8217; in this city my whole life, and I found out a long time ago.&#8221;</p>
<p style="text-align: justify;">&#8220;Yeah.&#8221;</p>
<p style="text-align: justify;">“How do you know? You&#8217;s just a baby. You look so young. How old, sixteen?&#8221; He stepped a little closer. 1&#8217;Don&#8217;t be scared, now. Just tell me how old you are.”</p>
<p style="text-align: justify;">She felt a cavern open up in her throat. She had to meet her mom&#8230;. They were supposed to walk back to the office together.. ..   She   swallowed .   &#8220;I&#8217;m&#8230;seventeen&#8230;. How old are you ?&#8221;</p>
<p style="text-align: justify;">He was grinning, stepping closer&#8230;.</p>
<p style="text-align: justify;">No! She could handle anything now. Freya got dressed.</p>
<p style="text-align: justify;">She had to get out. Hunt for a Christmas present for Menno.</p>
<p style="text-align: center;">&#9679;</p>
<p style="text-align: justify;">At five o’clock, Christmas lights came on throughout decorated streets. The vibe was thickly <em>gezellig</em>—that untranslatable Dutch word for a kind of cozy imbued with social warmth. The sound of bicycle tires hissing over wet cobblestones. Dusk rolled over the Amsterdam rooftops like a heavy velvet curtain, chasing the latest batch of Menno-philes to the doorstep of Prinsengracht 14.</p>
<p style="text-align: justify;">These were his citoyen-du-monde clique—a group of people who had come for the legend: <em>Wonderbaarlijk Menno! </em>In their minds, Menno was still the titan who let children climb all over him like gym equipment. Was a mathematician, a chess grandmaster, and a patron of the arts with a statue in a museum (though no one could remember if it was in storage in the Rijksmuseum or had been a wax work that had melted).&#8221; They reminisced about dancing into the mornings on the hotel verandah, which jutted out over the river, where the people of the little houseboats floating quietly below came out on deck to listen to their bands. And Menno, dancing on and on in the center with one lady after another&#8230;.</p>
<p style="text-align: justify;">&#8220;Dag! You must be Rosa. I’m Kees,&#8221; said a gray man, thrusting a box of chocolates at her.</p>
<p style="text-align: justify;">&#8220;How lovely,&#8221; Rosa chirped, already mentally filing the chocolates under &#8216;Supplies: Emergency/Sugar.&#8217; &#8220;Do come in. Menno is&#8230; in his station.&#8221;</p>
<p style="text-align: justify;">She pointed to a corner of the hall where a colossal armchair was currently swallowing a very small, very confused man. Kees and his wife, Els, approached the chair with the reverence usually reserved for an unexploded bomb.</p>
<p style="text-align: justify;">&#8220;Dag, Menno. It’s Kees and Els!&#8221; Kees shouted, leaning in as if Menno’s ears were in a different time zone.</p>
<p style="text-align: justify;">&#8220;Kees&#8230; Els&#8230; hello&#8230; mmmm,&#8221; Menno murmured. He felt he should stand. It was the polite, non-hallucinatory thing to do. He managed to rise, his legs feeling like two overcooked noodles, and began the ritual of the triple-cheek-kiss. Left, right, left&#8230; Everything was going swimmingly until Menno’s internal compass decided to spin like a roulette wheel. The world turned into a dark tunnel. Desperate for a handhold, he saw a blur of vivid color—the only thing his brain could recognize.</p>
<p style="text-align: justify;">It was the bright pink of Els’s dress. He lunged. Menno tackled Els. Els tackled the coat rack. The coat rack tackled the floor. A sound like a falling chandelier echoed through the hall. Rosa didn&#8217;t even flinch. She just stepped over the pile of limbs and mahogany to</p>
<p style="text-align: justify;">A few minutes later, Menno was back in his chair, looking slightly more disheveled but surprisingly unbothered.</p>
<p style="text-align: justify;">&#8220;Mennooo?&#8221; Rosa checked in.</p>
<p style="text-align: justify;">&#8220;Okay, okay,&#8221; he whispered, staring into the middle distance. &#8220;Just another fall. A vertical adventure. I’ll sit here and&#8230; greet&#8230; but I don&#8217;t know where the  hors  d&#8217;oeuvres  are, Rosa. People keep asking for the little sausages. I haven&#8217;t seen a sausage in years.&#8221;</p>
<p style="text-align: justify;">His head sank forward, his spine arching over his lap like a burnt-out street lamp.</p>
<p style="text-align: justify;">Around him, the party ignited. The voices of his friends rose in a chaotic swell, sounding like every note on a piano being hit at the exact same time. Rosa, sensing the Wonderbaarlijk energy was peaking, grabbed Menno’s arm and hauled him toward the rich firelight and warbling voices. Kees, apparently recovered from the coat rack conundrum, began to bash out &#8220;De Zak Van Sinterklaas&#8221; on the baby grand. The room erupted into song, the firelight danced, and Menno sat there, smelling of nutmeg and eggnog, wondering if the piano was also made of pink fabric. Kees&#8217;s boisterous voice led the singers gathered around the baby grand.</p>
<p style="text-align: justify;">Menno stared into the fiery, music-making blur of friends. They were all there, though much changed, much changed, indeed. Could that be Ruth? Yes, her eyes were the same as they had been years ago at his father&#8217;s summer house, walking together through the mud in wooden shoes, transplanting flowers. She was singing beautifully. He opened his mouth, but the music, so loud and solid, formed a wall between his lips and their ears. He would find a chair&#8230;.</p>
<p style="text-align: justify;">There was his stepson, Arnout, sitting on the couch next to the Christmas tree. Menno sat down in a nearby chair. Arnout was with a girl. A pretty girl, Menno noted, good, good&#8230;.&#8221;Hello, Menno. This is&#8230;,&#8221; the boy was saying. He pointed to the girl. Menno watched intently, as the couple shifted on the couch and resumed their conversation. They seemed to be drifting into slow motion, and Arnout,&#8221;&#8230;but I&#8230;,&#8221; seemed to be extending a spider&#8217;s thread to the girl, and she, &#8220;&#8230;Oh, Arnout&#8230;,&#8221; in turn, spun a thread back to his stepson. How strange&#8230;. Menno could see the threads issuing from the one, hanging on air currents for a moment, and then attaching themselves to the skin of the other. Back and forth, again and again, until an elaborate web had been stretched in a fine pattern between them. Strange &#8230;.</p>
<p style="text-align: justify;">The dinner bell tinkled. The guests flocked to their places. Two blinking candles commanded the poles of the long banquet table. Behind one sat Rosa, behind the other, Menno. At her pole, Rosa looked like a high priestess; at the other, Menno, looked like he was trying to remember if he was the host or the centerpiece.</p>
<p style="text-align: justify;">&#8220;Speech, speech-.&#8221; A chorus of pleas. The faces flickered in the candlelight, yellow, then mauve, as they begged their host, their dear old friend, Menno, &#8220;Wonderbaarlijk  Menno,&#8221; who used to&#8230;.</p>
<p style="text-align: justify;">Expectant eyes rolled from face to drooping face. Surely this awkward silence wasn&#8217;t necessary to induce a toast from Menno&#8217;s lips. Arnout stared into the glowing candle, his hands sweating up the chair&#8217;s arms. &#8220;Come on, Menno,&#8221; Rosa urged. Everyone was waiting. The food would get cold.</p>
<p style="text-align: justify;">His eyes were fixed on the candle in front of him.</p>
<p style="text-align: justify;">Someone&#8217;s napkin fluttered open.</p>
<p style="text-align: justify;">He raised his head. &#8220;Just&#8230;keep the cobwebs away from the flame,&#8221; he said.</p>
<p style="text-align: justify;">“Yes! Let’s all keep the cobwebs away from the flame of life! Cheers!&#8221; Rosa quickly exclaimed. She raised her glass.</p>
<p style="text-align: justify;">&#8220;Proost! Proost!&#8221; the table exhaled, relieved that they didn&#8217;t have to look for the spider Menno had just seen. Instead, the elaborate feast began. There were blue boats of gravy and mountains of sweet potatoes. Ham and turkey bathed in buttery sweat towered over stuffings. The maid brought in pools of apple sauce topped with cinnamon, molds of cranberry sauce, elongated bottles of wine, steamy thin soup, fresh vegetables with dips, marzipan pigs, and more wine&#8230; all served in etched crystal and Delft china.</p>
<p style="text-align: justify;">There  were  many  questions.  Menno  nodded and tried to swallow the food.</p>
<p style="text-align: justify;">&#8220;Have you seen the White Friar&#8217;s Glass Works in London?&#8221; someone asked him. &#8220;One rarely sees such magnificent paperweights and bottles. You like glass works, don&#8217;t you, Menno?&#8221;</p>
<p style="text-align: justify;">He nodded.</p>
<p style="text-align: justify;">&#8220;Well, it&#8217;s certainly worth a side trip next time you&#8217;re traveling through those parts.”</p>
<p>Or: &#8220;Do you see cousin Loes much these days? Last I heard, she moved to Iceland, but that was years ago. Do you remember her? She was a dear little child―all covered with freckles and &#8230;.&#8221;</p>
<p style="text-align: justify;">Menno nodded again, Cousin Loes was now a freckled penguin living in a London glassworks, mmhmm. He knew it.</p>
<p style="text-align: justify;">&#8220;Would anyone like tea or coffee?&#8221; Rosa asked, folding her napkin. &#8220;Or perhaps some pastries or brownies?&#8221;</p>
<p style="text-align: justify;">The table was cleared, and more trays brought out. &#8220;Arnout, I made the walnut brownies with you in mind.&#8221; Rosa zeroed in on her son.</p>
<p style="text-align: justify;">&#8220;No thanks, Mom.&#8221;</p>
<p style="text-align: justify;">&#8220;Don&#8217;t you like walnut brownies?&#8221;</p>
<p style="text-align: justify;">&#8220;No,&#8221; he said, looking down at his knife.</p>
<p style="text-align: justify;">&#8220;You&#8217;ve always liked walnut brownies. I thought they were your favorite.&#8221;</p>
<p style="text-align: justify;">He stared.</p>
<p style="text-align: justify;">She looked forlornly down at the sad walnut brownie on its tiny red and green napkin square&#8230;.</p>
<p style="text-align: justify;">He grabbed it from her hand and shoved it into his mouth whole. He held his mother&#8217;s eyes. His jaws worked, but he would not swallow.</p>
<p style="text-align: justify;">She smiled; she&#8217;d known all along that walnut brownies were his favorite.</p>
<p style="text-align: justify;">They decorated the Christmas tree and put their presents on the rug underneath. The affair was reduced to drinks and idle banter. Rosa had gone off to prepare the guest rooms. Hypnotic flames in the hearth soothed everyone&#8217;s lungs into speechlessness. Shadows danced. The doorbell rang.</p>
<p style="text-align: justify;">Someone got up to answer it. Arnout sank back behind the Christmas tree. The dull sound of an argument peaked and ended abruptly. In walked Freya with a big red smile. &#8220;Hi folks, Merry X-mas.&#8221;</p>
<p style="text-align: justify;">The guests whispered. What a sight! Was this Rosa&#8217;s daughter?</p>
<p style="text-align: justify;">&#8220;Where&#8217;s Menno?&#8221; she demanded, and tossed a present under the tree. &#8220;That&#8217;s for you, Arnout.&#8221;</p>
<p style="text-align: justify;">Arnout moved out from behind the tree.</p>
<p style="text-align: justify;">&#8220;So where&#8217;s Menno?&#8221;</p>
<p>Heads turned involuntarily to point him out.</p>
<p style="text-align: justify;">&#8220;Hey there, Menno.&#8221; Freya picked her way through the legs and drinks and patted Menno on the back.</p>
<p>&#8220;Freya,&#8221; he sighed. &#8220;Yes.&#8221;</p>
<p style="text-align: justify;">More whispers.</p>
<p style="text-align: justify;">&#8220;How&#8217;s the party?&#8221; she asked. Silence.</p>
<p>“The party?&#8230;.I don&#8217;t know,&#8221; he said.</p>
<p style="text-align: justify;">&#8221;Hmm. Well you look a little tired. Do you want to go to bed?&#8221;        <br />
&#8220;Yes&#8230;I&#8217;m very tired.&#8221;</p>
<p style="text-align: justify;">&#8220;Come on. I&#8217;ll take you.&#8221; She helped him out of his chair.</p>
<p style="text-align: justify;">The room shattered into motion. All were exclaiming how tired they were themselves. Someone&#8217;s foot knocked over a drink. Ice toppled onto the carpet. As the &#8220;clique scrambled for their coats like passengers on a sinking ship, Rosa stepped into the fray, her eyes gleaming with the light of a thousand filing cabinets.</p>
<p style="text-align: justify;">Arnout followed Freya downstairs. Freya led Menno into his room. They deposited him onto the bed with significantly more care than she had used on her barstool the other night. &#8220;A lot of old friends, huh?&#8221; she asked, pulling off his shoes.</p>
<p style="text-align: justify;">Menno lay there, looking like a discarded marionette. &#8220;The cobwebs, Freya&#8230; the cobwebs are winning.&#8221;</p>
<p style="text-align: justify;">&#8220;Not on my watch,&#8221; she whispered.</p>
<p style="text-align: justify;">They dressed Menno in pajamas and helped him into bed. Arnout stared at her as she pulled the covers up to Menno&#8217;s chin, kissed him, and sat down in the recliner. She reached into her pocket for a cigarette, struggling to steady her hands. The match burst. So here was Arnout, after all this time.</p>
<p style="text-align: justify;">Arnout looked at his hands. Then his eyes found her boots and traveled up her legs to her leather jacket, and then to her spiked hair. Her skin seemed thin and white, stretched over an ashen core. &#8220;What the hell have you done to yourself?&#8221; he said.</p>
<p style="text-align: justify;">Freya inhaled deeply. She blew the smoke into her brother&#8217;s mortified face. &#8220;It&#8217;s nice to see you,&#8221; she said. &#8220;Why didn&#8217;t you get out of here? Why didn&#8217;t you just go back to America?&#8221;</p>
<p style="text-align: justify;">&#8220;Why don&#8217;t you?&#8221; She stood up and put her cigarette out on her mother&#8217;s desk top. Smoke streamed up into the lamp shade for a minute. &#8220;And Menno?&#8221;</p>
<p style="text-align: justify;">The floorboards creaked above them.</p>
<p style="text-align: justify;">&#8220;Don&#8217;t you see, Arnout?&#8221; Freya leaned over to latch the window shut. The wind howled outside. There would be a blizzard. &#8221;We can&#8217;t just leave&#8230;&#8221;</p>
<p style="text-align: justify;">“Mm mm&#8230;,&#8221; issued from Menno&#8217;s torpid body. They turned their heads to the solemn heap of blankets covering their stepfather. &#8220;Remember &#8230;,&#8221; Menno&#8217; lips pronounced. &#8220;You promised, Freya &#8230;tonight&#8230;.&#8221; She saw his sunken cheeks, flushed and running over with sweat, become  pale and drawn. Pain. He was in pain. He was pain. He was the last of Menno, the only thing she still felt for, the only thing she&#8230;.</p>
<p style="text-align: justify;">Her shoulders heaved forward in a silent plea. Her hand shook uncontrollably.</p>
<p style="text-align: justify;">Arnout&#8217;s eyes widened as she reached into her breast pocket. &#8220;Freya!&#8221; Arnout stood between them. “What&#8230;!”</p>
<p style="text-align: justify;">“You promised, Freya, mmmhummm.”</p>
<p style="text-align: justify;">She reached into the secret pocket of her leather jacket and produced a small, silver foil packet. &#8220;This is the Christmas special. It’s from a guy in the Jordaan who claims he can see colors through his elbows.&#8221;</p>
<p style="text-align: justify;">She popped the pill into Menno’s mouth and followed it with a swig of water from the bedside carafe. Menno swallowed, his eyes already beginning to glaze over with a look of profound peace. &#8220;Will I see the lemon moon again?&#8221; he asked hopefully.</p>
<p style="text-align: justify;">&#8220;Menno, with this one, you’ll be the lemon moon. You’ll be the whole citrus department.&#8221;</p>
<p style="text-align: center;">&#9679;</p>
<p style="text-align: justify;">Rosa awoke. Sunlight streamed in through her flowered curtains, and onto her pillow. She blinked the sleep from her eyes. Then a thought occurred to her. It was Sinterklaas morning! She breathed deeply. The previous night budded in her memory. The party. She had done it! Everyone had had such a wonderful time. It was therapeutic for Menno as well. She would have him cured in no time. A good party was like a medical poultice—enough nutmeg and social pressure could cure anything from a common cold to a spiritual crisis. She believed that if you gathered enough people in a room and fed them until they couldn&#8217;t stand, the sheer collective weight of their presence would anchor a drifting soul back to the shore. She looked in on Menno, sleeping contentedly in his heap of gnarled blankets.</p>
<p style="text-align: justify;">It was a good thing that he had not spent the night pacing about, as he had been doing for the past months. The excitement had obviously worn him out. She would let him sleep a little longer. Rosa tiptoed over to the closet. She donned her big, fluffy bathrobe and slippers. Then she combed out her hair and applied orange lipstick. She looked in on Menno again. He was still asleep. She&#8217;d better wake him. Rosa crept across the tile floor and slid her hand onto his back. &#8220;Mennoooo?&#8221; she whispered, giving him a shake. Then a harder shake. The kind of shake one gives a vending machine that has withheld a bag of pretzels.</p>
<p style="text-align: justify;">Nothing.</p>
<p style="text-align: justify;">She shook him harder. Still nothing. This would not do. Shake, shake&#8230;. She patted him on the cheek: cold—the kind of absolute, uncompromising cold that signaled the end of a conversation. Her facial muscles fell limp for a split second, mouth opening into a simple 0, a perfect zero of comprehension. The scraping of a snow shovel on the walk outside barely reached her ears through the wind. The neighbors were already about their chores. In here, the chores had just become very complicated.</p>
<p style="text-align: justify;">But as she looked at him, the panic failed to arrive. Instead, she saw the lack of tension in his jaw and the profound stillness of his hands.</p>
<p style="text-align: justify;"><em>&#8220;Wonderbaarlijk Menno</em>&#8221; who had been chased by shadows trying to entangle him in the &#8220;Country of the Dead&#8221; letters for months, finally looked like he had reached the right address. He wasn&#8217;t pacing; he wasn&#8217;t shivering. He was, for the first time, completely organized. Menno had finally recovered himself entirely from the burden of existing.</p>
<p style="text-align: justify;">Her wrinkles screwed back up, tight―better close those curtains so Menno can sleep in the dark. She trotted over to the window, then hurried back through the dimness to his bed. She knelt at his feet. She would just straighten out these covers; it was cold season. She pulled them up to his face. He was on his back, his mouth gaping open as if he were mid-sentence in a debate he had already lost. The scraping continued outside. Scrape. Scrape.</p>
<p style="text-align: justify;">Rosa thought he still didn&#8217;t look very comfortable. He lay on his back, mouth gaping open. The scraping continued outside. Her body straining, she rolled Menno onto his side. The wall faced him. Then, she bent his arms and heavy legs into his favorite sleeping position—the fetal tuck of a man who has successfully opted out of the twentieth century. She fluffed the pillow. She straightened the duvet until the lines were parallel with the floorboards&#8230;there, that&#8217;s much better. He looked happy, younger, and remarkably cured of everything that had been bothering him. Rosa crossed the room and slipped through the door, and closed it softly behind her.</p>
<p style="text-align: center;">&#9679;</p>
<p>Two days later, Meno&#8217;s eyes fluttered open. He glowed with the feeling of wellbeing and benevolence only fathomable after a deep rest. He was a little surprised to see his whole family together again. In his bedroom. Milling about as if making preparations. And finally decided to put a halt to the annoyance. &#8220;Where&#8217;s my glass of water?&#8221; </p>
<p style="text-align: justify;">Rosa and Arnout rushed to his bedside. The floodgates were open. Freya shook with laughter and weeping, tears streaming down her face. Soon the whole family was one big puppy heap over the bed. Wonderbaarlijk Menno had really pulled off a miracle of biological growth this time. He emerged from his chrysalis transformed, and it brought with it real structural strength. Even Freya forgot her hot temper as if touched by peaceful frost spreading across a windowpane. His mending seeded the crystalline example to the rest of the family lifting it into a clear and stabilized peace.<br />
&nbsp;</p>
<p>The post <a href="https://harvardsquareedition.com/the-sinterklaas-party/">The Sinterklaas Party</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>Women&#8217;s Novels, by Margaret Atwood</title>
		<link>https://harvardsquareedition.com/womens-novels-by-margaret-atwood/</link>
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		<pubDate>Mon, 21 Apr 2025 06:09:15 +0000</pubDate>
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					<description><![CDATA[<p>1. Men&#8217;s novels are about men. Women&#8217;s novels are about men too but from a different point of view. You can have a men&#8217;s novel with no women in it except possibly the landlady or the horse, but you can&#8217;t have a women&#8217;s novel with no men in it. Sometimes men put women in men&#8217;s [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/womens-novels-by-margaret-atwood/">Women&#8217;s Novels, by Margaret Atwood</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>1.</strong></p>
<p>Men&#8217;s novels are about men. Women&#8217;s novels are about men too but from a different point of view. You can have a men&#8217;s novel with no women in it except possibly the landlady or the horse, but you can&#8217;t have a women&#8217;s novel with no men in it. Sometimes men put women in men&#8217;s novels but they leave out some of the parts: the heads, for instance, or the hands. <span id="more-1033"></span>Women&#8217;s novels leave out parts of the men as well. Sometimes it&#8217;s the stretch between the belly button and the knees, sometimes it&#8217;s the sense of humor. It&#8217;s hard to have a sense of humor in a cloak, in a high wind, on a moot. Women do not usually write novels of the type favored by men but men are known to write novels of the type favored by women. Some people find this odd.</p>
<p><strong>2.</strong></p>
<p>I like to read novels in which the heroine has a costume rustling discreetly over her breasts, or discreet breasts rustling under her costume; in any case, there must be a costume, some breasts, some rustling, and, over all, discretion. Discretion over all, like a fog, a miasma through which the outlines of things appear only vaguely. A glimpse of pink through the gloom, the sound of breathing, satin slithering to the floor, revealing what? Never mind, I say. Never never mind.</p>
<p><strong>3.</strong></p>
<p>Men favor heroes who are tough and hard: tough with men, hard with women. Sometimes the hero goes soft on a woman, but this is always a mistake. Women do not favor heroines who are tough and hard. Instead, they have to be tough and soft. This leads to linguistic difficulties. Last time we looked, monosyllables were male, still dominant but sinking fast, wrapped in the octopoid arms of labial polysyllables, whispering to them with arachnoid grace: <em>darling, darling</em>.</p>
<p><strong>4.</strong></p>
<p>Men&#8217;s novels are about how to get power. Killing and so on, or winning and so on. So are women&#8217;s novels, though the method is different. In men&#8217;s novels, getting the woman or women goes along with getting the power. It’s a perk, not a means. In women&#8217;s novels, you get the power by getting the man. The man is the power. But sex won&#8217;t do, he has to love you. What do you think all that kneeling&#8217;s about, down among the crinolines, on the Persian carpet? Or at least say it. When all else is lacking, verbalization can be enough. <em>Love</em>. There, you can stand up now, it didn’t kill you. Did it?</p>
<p><strong>5.</strong></p>
<p>I no longer want to read about anything sad. Anything violent, anything disturbing, anything like that. No funerals at the end, though there can be some in the middle. If there must be deaths, let there be resurrections, or at least a heaven so we know where we are. Depression and squalor are for those under twenty-five; they can take it, they even like it, they still have enough time left. But real life is bad for you; hold it in your hand long enough and you&#8217;ll get pimples and become feebleminded. You&#8217;ll go blind. I want happiness, guaranteed, joy all around, covers with nurses on them or brides, intelligent girls but not too intelligent, with regular teeth and pluck and both breasts the same size and no excess facial hair, someone you can depend on to know where the bandages are and to turn the hero, that potential rake and killer, into a well-groomed country gentleman with clean fingernails and the right vocabulary. <em>Always</em>, he has to say. <em>Forever</em>. I no longer want to read books that don&#8217;t end with the word forever. I want to be stroked between the eyes, one way only.</p>
<p><strong>6.</strong></p>
<p>Some people think a woman&#8217;s novel is anything without politics in it. Some think it&#8217;s anything about relationships. Some think it&#8217;s anything with a lot of operations in it, medical ones I mean. Some think it&#8217;s anything that doesn’t give you a broad panoramic view of our exciting times. Me, well, I just want something you can leave on the coffee table and not be too worried if the kids get into it. You think that&#8217;s not a real consideration? You’re wrong.</p>
<p><strong>7.</strong></p>
<p><em>She had the startled eyes of a wild bird</em>. This is the kind of sentence I go mad for. I would like to be able to write such sentences, without embarrassment. I would like to be able to read them without embarrassment. If I could only do these two simple things, I feel, I would be able to pass my allotted time on this earth like a pearl wrapped in velvet.</p>
<p><em>She had the startled eyes of a wild bird</em>. Ah, but which one? A screech owl, perhaps, or a cuckoo? It does make a difference. We do not need more literalists of the imagination. They cannot read <em>a body like a gazelle’s</em> without thinking of intestinal parasites, zoos, and smells.</p>
<p><em>She had a feral gaze like that of an untamed animal</em>, I read. Reluctantly I put down the book, thumb still inserted at the exciting moment. He&#8217;s about to crush her in his arms, pressing his hot, devouring, hard, demanding mouth to hers as her breasts squish out the top of her dress, but I can&#8217;t concentrate. Metaphor leads me by the nose, into the maze, and suddenly all Eden lies before me. Porcupines, weasels, warthogs, and skunks, their feral gazes malicious or bland or stolid or piggy and sly. Agony, to see the romantic <em>frisson</em> quivering just out of reach, a dark-winged butterfly stuck to an over-ripe peach, and not to be able to swallow, or wallow.</p>
<p><em>Which one?</em> I murmur to the unresponding air. Which one?</p>
<p>The post <a href="https://harvardsquareedition.com/womens-novels-by-margaret-atwood/">Women&#8217;s Novels, by Margaret Atwood</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<item>
		<title>The Mystery</title>
		<link>https://harvardsquareedition.com/the-mystery/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Wed, 26 Mar 2025 02:45:09 +0000</pubDate>
				<category><![CDATA[Archives]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14615</guid>

					<description><![CDATA[<p>&#160; Think of me not as hailing from neither East nor West just a dancer out of tune only a little possessed &#160; * &#160; Who cries out as he sees it with neither lull nor rest seeking only what is but true with neither trial nor test &#160; * &#160; Above the fret and [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/the-mystery/">The Mystery</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>Think of me not<br />
as hailing</p>
<p>from neither East<br />
nor West</p>
<p>just a dancer<br />
out of tune</p>
<p>only a little<br />
possessed<br />
&nbsp;<br />
*<br />
&nbsp;<br />
Who cries out as<br />
he sees it</p>
<p>with neither<br />
lull  nor rest</p>
<p>seeking only<br />
what is but true</p>
<p>with neither<br />
trial nor test<br />
&nbsp;</p>
<p>*</p>
<p>&nbsp;<br />
Above the fret<br />
and fever</p>
<p>above<br />
the lurching<br />
tides</p>
<p>above the<br />
prancing<br />
peacock</p>
<p>perched on<br />
its very<br />
crest<br />
&nbsp;</p>
<p>*</p>
<p>&nbsp;<br />
I care not<br />
what they think<br />
of it</p>
<p>I heed not<br />
their<br />
halting sighs</p>
<p><em>for some<br />
Destiny<br />
invites me</p>
<p>through<br />
sad and<br />
sultry eyes</em><br />
&nbsp;</p>
<p>*</p>
<p>&nbsp;<br />
A destiny<br />
impels<br />
me</p>
<p>in<br />
wan and<br />
fey surmise</p>
<p>to a giddy<br />
world spun<br />
hurtling on</p>
<p><em>to Infinitude’s<br />
Sunrise</em></p>
<p>&nbsp;<br />
<strong>[© R.Kanth 2025]</strong>  </p>
<p>&nbsp;<br />
<strong>Professor Rajani Kanth, is Author of <em>Coda,</em><em> A Day in the Life</em>, <em>Expiations</em>, and <em>Farewell to Modernism&lt;/</strong>em&gt;</p>
<p>The post <a href="https://harvardsquareedition.com/the-mystery/">The Mystery</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>Premonitions</title>
		<link>https://harvardsquareedition.com/premonitions-2/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Tue, 18 Mar 2025 16:46:31 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14607</guid>

					<description><![CDATA[<p>&#160; O the inky viscosity &#160; of soul-debauching night &#160; * &#160; It’s the Night of the Tarantula &#160; in twilight masquerade &#160; it’s the Trance of the Tarantula &#160; in dance of death arrayed &#160; * &#160; The Vampire Bat is on the wing &#160; hell’s foundations quake &#160; sleep light lest ye are [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/premonitions-2/">Premonitions</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>O the</p>
<p>inky viscosity</p>
<p> &nbsp;</p>
<p>of  soul-debauching</p>
<p>night </p>
<p>&nbsp;</p>
<p>*</p>
<p> &nbsp;</p>
<p>It’s  the Night</p>
<p>of the</p>
<p>Tarantula</p>
<p> &nbsp;</p>
<p>in</p>
<p>twilight</p>
<p>masquerade<br />
&nbsp;</p>
<p>it’s   the Trance</p>
<p>of the</p>
<p>Tarantula</p>
<p> &nbsp;</p>
<p>in  dance</p>
<p>of</p>
<p>death arrayed</p>
<p> &nbsp;</p>
<p>*</p>
<p>&nbsp; </p>
<p>The Vampire</p>
<p>Bat is on the</p>
<p>wing</p>
<p>&nbsp;<br />
hell’s </p>
<p>foundations</p>
<p>quake</p>
<p> &nbsp;</p>
<p>sleep light</p>
<p>lest ye  are</p>
<p>risen not</p>
<p> &nbsp;</p>
<p>from its</p>
<p>mortifying</p>
<p>wake</p>
<p>&nbsp;</p>
<p>*</p>
<p>&nbsp;</p>
<p>For tonite</p>
<p>the wailing  wraiths</p>
<p>entwine</p>
<p> &nbsp;</p>
<p>and this </p>
<p>must</p>
<p>ye know</p>
<p> &nbsp;</p>
<p>that  guiltless</p>
<p>blood</p>
<p>&nbsp;</p>
<p>shall freely</p>
<p>flow</p>
<p> &nbsp;</p>
<p>like  </p>
<p>cataracts</p>
<p>of wine</p>
<p>&nbsp;</p>
<p>*</p>
<p>&nbsp;</p>
<p>Frozen in</p>
<p>a frieze</p>
<p>of fright</p>
<p> &nbsp;</p>
<p>there be no</p>
<p>time</p>
<p>for flight </p>
<p> &nbsp;</p>
<p>the spirit is</p>
<p>slow</p>
<p>in siphoning</p>
<p>&nbsp;<br />
as flesh</p>
<p>pales</p>
<p>&nbsp;</p>
<p>by   starry</p>
<p>light</p>
<p>&nbsp;</p>
<p>*</p>
<p>&nbsp;</p>
<p>All’s awry</p>
<p>earth’s</p>
<p>full  spun</p>
<p> &nbsp;</p>
<p>the skies </p>
<p>whirl</p>
<p>in vain</p>
<p> &nbsp;</p>
<p>all Creation</p>
<p>keen </p>
<p>astir</p>
<p> &nbsp;</p>
<p>witness </p>
<p>a world</p>
<p>on the wane</p>
<p>&nbsp;</p>
<p>*</p>
<p>&nbsp;</p>
<p>Curtains drop</p>
<p>on </p>
<p>Vanities</p>
<p> &nbsp;</p>
<p>prizes </p>
<p>swing</p>
<p>too high</p>
<p> &nbsp;</p>
<p>ambitions</p>
<p>lie all  broke</p>
<p>in breach</p>
<p> &nbsp;</p>
<p>trampled</p>
<p>in the</p>
<p>rain</p>
<p>&nbsp;</p>
<p>*<br />
&nbsp;</p>
<p>In inky  viscosity</p>
<p>the night is</p>
<p>set to fall</p>
<p> &nbsp;</p>
<p><em>trapt in</p>
<p>dank</p>
<p>debauchery</em></p>
<p> &nbsp;</p>
<p><em>We’re  Never</p>
<p>to rise</p>
<p>again</em><br />
&nbsp;<br />
<strong>[© R.Kanth 2020/25]</strong>  </p>
<p>&nbsp;<br />
<strong>Professor Rajani Kanth, is Author of <em>Coda,</em><em> A Day in the Life</em>, <em>Expiations</em>, and <em>Farewell to Modernism&lt;/</strong>em&gt;</p>
<p>The post <a href="https://harvardsquareedition.com/premonitions-2/">Premonitions</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>The Last Remorse</title>
		<link>https://harvardsquareedition.com/the-last-remorse/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Tue, 11 Mar 2025 18:30:46 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14592</guid>

					<description><![CDATA[<p>&#160; To live &#160; one needs that vital spark that Iskra that makes us burst alive &#160; ‘ &#160; Love of any kind is that fey and fulsome light failing which we full sore lean none too eager none too keen on dun ephemerals drink drugs dark debauch that blight our boorish unsanguine days O [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/the-last-remorse/">The Last Remorse</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p><em>To live</em><br />
&nbsp;<br />
one needs </p>
<p>that<br />
vital spark</p>
<p>that <em>Iskra</em><br />
that makes<br />
us</p>
<p>burst<br />
alive<br />
&nbsp;</p>
<p>‘<br />
&nbsp;<br />
Love<br />
of<br />
any kind</p>
<p>is that<br />
fey </p>
<p>and<br />
fulsome<br />
light</p>
<p>failing<br />
which</p>
<p>we full<br />
sore<br />
lean</p>
<p>none too<br />
eager</p>
<p>none<br />
too keen</p>
<p>on dun<br />
ephemerals</p>
<p><em><br />
drink drugs<br />
dark<br />
debauch</em></p>
<p>that blight<br />
our<br />
boorish</p>
<p>unsanguine<br />
days</p>
<p><em>O look not<br />
upon</p>
<p>our  wayward<br />
ways</em><br />
&nbsp;</p>
<p>*<br />
&nbsp;<br />
The hurt<br />
they<br />
give us</p>
<p>their<br />
balms<br />
erase</p>
<p>on wounds<br />
we<br />
sought </p>
<p>to<br />
assuage</p>
<p>and so<br />
we fall<br />
in </p>
<p>mordant<br />
desuetude</p>
<p>unfit to<br />
stay</p>
<p>or<br />
self-efface</p>
<p><em>garnering<br />
pain</p>
<p>whilst seeking<br />
good</em></p>
<p>in molten<br />
ice</p>
<p>and ragged<br />
rage</p>
<p>the ink that<br />
will not</p>
<p>cannot<br />
dry</p>
<p><em>on wastrel<br />
life’s</p>
<p>desultory<br />
page</em><br />
&nbsp;</p>
<p>*<br />
&nbsp;<br />
The saddest<br />
words</p>
<p>of tongue<br />
and pen</p>
<p><em>in expense of<br />
reason</p>
<p>and waste<br />
of rhyme</em></p>
<p>the saddest<br />
thoughts</p>
<p>we could<br />
ever<br />
own </p>
<p>in wan<br />
cadence</p>
<p>plaintive<br />
moan</p>
<p>&#8220;<em>I might have<br />
lived</p>
<p>had I<br />
but<br />
known</em>&#8221;</p>
<p>as we think<br />
and think<br />
again</p>
<p>in gutted<br />
grief</p>
<p>and sodden<br />
pain</p>
<p><strong><em>I might<br />
have<br />
lived</p>
<p>had I<br />
but<br />
known</em></strong></p>
<p>&nbsp;<br />
<strong>[© R.Kanth 2025]</strong>  </p>
<p>&nbsp;<br />
<strong>Professor Rajani Kanth, is Author of <em>Coda,</em><em> A Day in the Life</em>, <em>Expiations</em>, and <em>Farewell to Modernism&lt;/</strong>em&gt;</p>
<p>The post <a href="https://harvardsquareedition.com/the-last-remorse/">The Last Remorse</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>Death by Landscape, by Margaret Atwood</title>
		<link>https://harvardsquareedition.com/death-by-landscape-by-margaret-atwood/</link>
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		<dc:creator><![CDATA[The Editorial Board]]></dc:creator>
		<pubDate>Sat, 08 Mar 2025 08:06:25 +0000</pubDate>
				<category><![CDATA[Literary Scene]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=877</guid>

					<description><![CDATA[<p>Now that the boys are grown up and Rob is dead, Lois has moved to a condominium apartment in one of Toronto’s newer waterfront developments. She is relieved not to have to worry about the lawn, or about the ivy pushing its muscular little suckers into the brickwork, or the squirrels gnawing their way into [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/death-by-landscape-by-margaret-atwood/">Death by Landscape, by Margaret Atwood</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;">
<p style="text-align: justify;"><strong>Now that the boys are grown up and Rob is dead, Lois has moved to a condominium apartment in one of Toronto’s newer waterfront developments. She is relieved not to have to worry about the lawn, or about the ivy pushing its muscular little suckers into the brickwork, or the squirrels gnawing their way into the attic and eating the insulation off the wiring, or about strange noises. This building has a security system, and the only plant life is in pots in the solarium.</strong></p>
<p style="text-align: justify;">Lois is glad she’s been able to find an apartment big enough for her pictures. They are more crowded together than they were in the house, but this arrangement gives the walls a European look: blocks of pictures, above and beside one another, rather than one over the chesterfield, one over the fireplace, one in the front hall, in the old acceptable manner of sprinkling art around so it does not get too intrusive. This way has more of an impact. You know it’s not supposed to be furniture.</p>
<p style="text-align: justify;">None of the pictures is very large, which doesn’t mean they aren’t valuable. They are paintings, or sketches and drawings, by artists who were not nearly as well known when Lois began to buy them as they are now. Their work later turned up on stamps, or as sillvscreen reproductions hung in the principals’ offices of high schools, or as jigsaw puzzles, or on beautifully printed calendars sent out by corporations as Christmas gifts to their less important clients. These artists painted after the first war, and in the Thirties and Forties; they painted landscapes. Lois has two Tom Thompsons, three A. Y. Lacksons, a Lawren Harris. She has an Arthur Lismer, she has a J.E.H. MacDonald. She has a David Milne. They are pictures of convoluted tree trunks on an island of pink wave-smoothed stone, with more islands behind; of a lake with rough, bright, sparsely wooded cliffs; of a vivid river shore with a tangle of bush and two beached canoes, one red, one gray; of a yellow autumn woods with the ice blue gleam of a pond half-seen through the interlaced branches.<span id="more-877"></span></p>
<p style="text-align: justify;">It was Lois who’d chosen them. Rob had no interest in art, although he could see the necessity of having something on the walls. He left all the decorating decisions to her. while providing the money, of course. Because of this collection of hers, Lois’s friends – especially the men – have given her the reputation of having a good nose for art investments.</p>
<p style="text-align: justify;">But this is not why she bought the pictures, way back then. She bought them because she wanted them. She wanted something that was in them although she could not have said at the time what it was. lt was not peace: She does not find them peaceful in the least. Looking at them fills her with a wordless unease. Despite the fact that there are no people in them or even animals, it’s as if there is something, or someone, looking back out.</p>
<p style="text-align: justify;">When she was fourteen, Lois went on a canoe trip. She&#8217;d only been on overnights before. This was to be a long one, into the trackless wilderness, as Cappie put it. It was Lois&#8217;s first canoe trip, and her last.</p>
<p style="text-align: justify;">Cappie was the head of the summer camp to which Lois had been sent ever since she was nine. Camp Manitou, it was called; it was one of the better ones, for girls, though not the best. Girls of her age whose parents could afford it were routinely packed off to such camps, which bore a generic resemblance to one another. They favored Indian names and had hearty, energetic leaders, who were called Cappie or Skip or Scottie. At these camps you learned to swim well and sail, and paddle a canoe, and perhaps ride a horse or play tennis. When you weren’t doing these things you could do Arts and Crafts, and tum out dingy, lumpish clay ashtrays for your mother – mothers smoked more then – or bracelets made of colored braided string.</p>
<p style="text-align: justify;">Cheerfulness was required at all times, even at breakfast. Loud shouting and the banging of spoons on the tables were allowed, and even encouraged, at ritual intervals. Chocolate bars were rationed, to control tooth decay and pimples. At night, after supper, in the dining hall or outside around a mosquito infested campfire ring for special treats, there were sing songs. Lois can still remember all the words to “My Darling Clementine,&#8221; and to “My Bonnie Lies Over the Ocean,” with acting-our gestures: a rippling of the hands for “ocean,” two hands together under the cheeks for “lies.” She will never be able to forget them, which is a sad thought.</p>
<p style="text-align: justify;">Lois thinks she can recognize women who went to these camps and were good at it. They have a hardness to their handshakes, even now; a way of standing, legs planted firmly and farther apart than usual; a way of sizing you up, to see if you&#8217;d be any good in a canoe – the front, not the back. They themselves would be in the back. They would call it the stern.</p>
<p style="text-align: justify;">She knows that such camps still exist, although Camp Manitou does not. They are one of the few things that haven`t changed much. They now offer copper enameling, and functionless pieces of stained glass baked in electric ovens, though judging from the productions of her friends’ grandchildren the artistic standards have not improved.</p>
<p style="text-align: justify;">To Lois, encountering it in the first year after the war, Camp Manitou seemed ancient. Its log sided buildings with the white cement in between the half-logs, its flagpole ringed with whitewashed stones, its weathered gray dock jutting out into Lake Prospect, with its woven rope bumpers and its rusty rings for tying up, its prim round flowerbed of petunias near the office door, must surely have been there always. In truth, it dated only from the first decade of the century; it had been founded by Cappie’s parents, who’d thought of camping as bracing to the character, like cold showers, and had been passed along to her as an inheritance and an obligation.</p>
<p style="text-align: justify;">Lois realized later that it must have been a struggle for Cappie to keep Camp Manitou going during the Depression and then the war, when money did not flow freely. If it had been a camp for the very rich, instead of the merely well-off, there would have been fewer problems. But there must have been enough Old Girls, ones with daughters, to keep the thing in operation, though not entirely shipshape: Furniture was battered, painted trim was peeling, roofs leaked. There were dim photographs of these Old Girls dotted around the dining hall. wearing ample woolen bathing suits and showing their fat, dimpled legs, or standing, arms twined, in odd tennis outfits with baggy skirts.</p>
<p style="text-align: justify;">In the dining hall, over the stone fireplace that was never used, there was a huge molting stuffed moose head, which looked somehow carnivorous. It was a sort of mascot; its name was Monty Manitou. The older campers spread the story that it was haunted and came to life in the dark, when the feeble and undependable lights had been turned off or, due to yet another generator failure, had gone out. Lois was afraid of it at first, but not after she got used to it.</p>
<p style="text-align: justify;">Cappie was the same: You had to get used to her. Possibly she was forty, or thirty-five, or fifty. She had fawn-colored hair that looked as if it was cut with a bowl. Her head jutted forward, jigging like a chicken’s as she strode around the camp, clutching notebooks and checking things off in them. She was like Lois’s minister in church: Both of them smiled a lot and were anxious because they wanted things to go well; they both had the same overwashed skins and stringy necks. But all this disappeared when Cappie was leading a sing-song or otherwise leading. Then she was happy, sure of herself, her plain face almost luminous. She wanted to cause joy. At these times she was loved, at others merely trusted.</p>
<p style="text-align: justify;">There were many things Lois didn’t like about Camp Manitou, at first. She hated the noisy chaos and spoon banging of the dining hall, the rowdy sing-songs at which you were expected to yell in order to show that you were enjoying yourself. Hers was not a household that encouraged yelling. She hated the necessity of having to write dutiful letters to her parents claiming she was having fun. She could not complain. because camp cost so much money.</p>
<p style="text-align: justify;">She didn’t much like having to undress in a roomful of other girls, even in the dim light, although nobody paid any attention, or sleeping in a cabin with seven other girls, some of whom snored because they had adenoids or colds, some of whom had nightmares, or wet their beds and cried about it. Bottom bunks made her feel closed in, and she was afraid of falling out of top ones; she was afraid of heights. She got home sick, and suspected her parents of having a better time when she wasn’t there than when she was, although her mother wrote to her every week saying how much they missed her. All this was when she was nine. By the time she was thirteen she liked it. She was an old hand by then.</p>
<p style="text-align: justify;">Lucy was her best friend at camp. Lois had other friends in the winter, when there was school and itchy woolen clothing and darkness in the aftemoons, but Lucy was her summer friend.</p>
<p style="text-align: justify;">She turned up the second year, when Lois was ten and a Bluejay. (Chickadees, Bluejays, Ravens, and Kingfishers&#8211;these were the names Camp Manitou assigned to the different age groups, a sort of totemic clan system. ln those days, thinks Lois, it was birds for girls, animals for boys&#8211;wolves and so forth&#8211;though some animals and birds were suitable and some were not: never vultures, for instance; never skunks, or rats.)</p>
<p style="text-align: justify;">Lois helped Lucy to unpack her tin trunk and place the folded clothes on the wooden shelves, and to make up her bed. She put her in the top bunk right above her, where she could keep an eye on her. Already she knew that Lucy was an exception to a good many rules; already she felt proprietorial.</p>
<p style="text-align: justify;">Lucy was from the United States, where comic books came from, and the movies. She wasn’t from New York or Hollywood or Buffalo, the only American cities Lois knew of, but from Chicago. Her house was on the lakeshore and had gates to it, and grounds. They had a maid, all of the time. Lois’s family only had a cleaning lady twice a week.</p>
<p style="text-align: justify;">The only reason Lucy was being sent to this camp (she cast a look of minor scorn around the cabin, diminishing it and also offending Lois, while at the same time daunting her) was that her mother had been a camper here. Her mother had been a Canadian once but had married her father, who had a patch over one eye, like a pirate. She showed Lois the picture of him in her wallet. He got the patch in the war. “Shrapnel,&#8221; said Lucy, offhandedly. Lois, who was unsure about shrapnel, was so impressed she could only grunt. Her own two-eyed, unwounded father was tame by comparison.</p>
<p style="text-align: justify;">“My father plays golf,” she ventured at last.</p>
<p style="text-align: justify;">“<i>Everyone</i> plays golf,” said Lucy. “My <i>mother</i> plays golf.”</p>
<p style="text-align: justify;">Lois’s mother did not. Lois took Lucy to see the outhouses and the swimming dock and the dining hall with Monty Manitou&#8217;s baleful head, knowing in advance they would not measure up.</p>
<p style="text-align: justify;">This was a bad beginning; but Lucy was good natured, and accepted Camp Manitou with the same casual shrug with which she seemed to accept everything. She would make the best of it, without letting Lois forget that this was what she was doing.</p>
<p style="text-align: justify;">However, there were things Lois knew that Lucy did not. Lucy scratched the tops off all her mosquito bites and had to be taken to the infirmary to be daubed with Gzonol. She took her T-shirt off while sailing, and although the counselor spotted her after a while and made her put it back on, she burned spectacularly, bright red, with the X of her bathing-suit straps standing out in alarming white; she let Lois peel the sheets of whispery thin burned skin off her shoulders. When they sang “Alouette” around the campfire, she did not know any of the French words. The difference was that Lucy did not care about the things she didn’t know, whereas Lois did.</p>
<p style="text-align: justify;">During the next winter, and subsequent winters, Lucy and Lois wrote to each other. They were both only children, at a time when this was thought to he a disadvantage, so in their letters they pretended to be sisters or even twins. Lois had to strain a little over this, because Lucy was so blond, with translucent skin and large blue eyes like a doll’s, and Lois was nothing out of the ordinary, just a tallish, thinnish, brownish person with freckles. They signed their letters LL, with the <i>L</i>’s entwined together like the monograms on a towel. (Lois and Lucy, thinks Lois. How our names date us. Lois Lane, Superman’s girlfriend, enterprising female reporter; <i>I Love Lucy</i>. Now we are obsolete, and it&#8217;s little Jennifers, little Emilys, little Alexandras and Carolines and Tiffanys.)</p>
<p style="text-align: justify;">They were more effusive in their letters than they ever were in person. They bordered their pages with <i>X</i>’s and <i>O</i>’s, but when they met again in the summers it was always a shock. They had changed so much, or Lucy had. It was like watching someone grow up in jolts. At first it would be hard to think up things to say.</p>
<p style="text-align: justify;">But Lucy always had a surprise or two, something to show, some marvel to reveal. The first year she had a picture of herself in a tutu, her hair in a ballerina’s knot on the top of her head; she pirouetted around the swimming dock, to show Lois how it was done, and almost fell off. The next year she had given that up and was taking horseback riding. (Camp Manitou did not have horses.) The next year her mother and father had been divorced, and she had a new stepfather, one with both eyes, and a new house, although the maid was the same.</p>
<p style="text-align: justify;">The next year, when they had graduated from Bluejays and entered Ravens, she got her period. right in the first week of camp. The two of them snitched some matches from their counselor, who smoked illegally, and made a small fire out behind the furthest outhouse, at dusk, using their flashlights. They could set all kinds of fires by now; they had learned how in Campcraft. On this fire they burned one of Lucy&#8217;s used sanitary napkins. Lois is not sure why they did this or whose idea it was. But she can remember the feeling of deep satisfaction it gave her as the white fluff singed and the blood sizzled, as if some wordless ritual had been fulfilled.</p>
<p style="text-align: justify;">They did not get caught, but then they rarely got caught at any of their camp transgressions. Lucy had such large eyes, and was such an accomplished liar.</p>
<p style="text-align: justify;">This year Lucy is different again: slower, more languorous. She is no longer interested in sneaking around after dark, purloining cigarettes from the counselor, dealing in black market candy bars. She is pensive, and hard to wake in the mornings. She doesn’t like her stepfather, but she doesn’t want to live with her real father either, who has a new wife. She thinks her mother may be having an affair with a doctor; she doesn’t know for sure, but she’s seen them smooching in his car, out in the driveway, when her stepfather wasn’t there. It serves him right. She hates her private school. She has a boyfriend, who is sixteen and works as a gardener’s assistant. This is how she met him: in the garden. She describes to It is what it is like when he kisses her: rubbery at first, but then your knees go limp. She has been forbidden to see him and threatened with boarding school. She wants to run away from home.</p>
<p style="text-align: justify;">Lois has little to offer in return. Her own life is placid and satisfactory, but there is nothing much that can be said about happiness. “You’re so lucky,&#8221; Lucy tells her, a little smugly. She might as well say <i>boring</i>, because this is how it makes Lois feel.</p>
<p style="text-align: justify;">Lucy is apathetic about the canoe trip, so Lois has to disguise her own excitement. The evening before they are to leave, she slouches into the campfire ring as if coerced and sits down with a sigh of endurance, just as Lucy does.</p>
<p style="text-align: justify;">Every canoe trip that went out of camp was given a special send-off by Cappie and the section leader and counselors, with the whole section in attendance. Cappie painted three streaks of red across each of her cheeks with a lipstick. They looked like three-fingered claw marks. She put a blue circle on her forehead with fountain-pen ink, tied a twisted bandanna around her head and stuck a row of frazzle-ended feathers around it, and wrapped herself in a red and black Hudson’s Bay blanket. The counselors, also in blankets but with only two streaks of red, beat on tom»toms made of round wooden cheeseboxes with leather stretched over the top and nailed in place. Cappie was Chief Cappeof sota. They all had to say “How!” when she walked into the circle and stood there with one hand raised.</p>
<p style="text-align: justify;">Looking back on this, Lois finds it disquieting. She knows too much about Indians. She knows, for instance, that they should not even be called Indians, and that they have enough worries without other people taking their names and dressing up as them. It has all been a form of stealing.</p>
<p style="text-align: justify;">But she remembers too that she was once ignorant of this. Once she loved the campfire, the flickering of light on the ring of faces, the sound of the fake tom-toms, heavy and fast like a scared heartbeat; she loved Cappie in a red blanket and feathers, solemn, as a Chief should be, raising her hand and saying, &#8220;Greetings, my Ravens.&#8221; It was not funny, it was not making fun. She wanted to be an Indian. She wanted to be adventurous and pure, and aboriginal</p>
<p style="text-align: justify;">“You go on big water,” says Cappie. This is her idea–all their ideas–of how Indians talk. “You go where no man has ever trod. You go many moons.” This is not true. They are only going for a week, not many moons. The canoe route is clearly marked, they have gone over it on a map, and there are prepared campsites with names that are used year after year. But when Cappie says this–and despite the way Lucy rolls up her eyes–Lois can feel the water stretching out, with the shores twisting away on either side, immense and a little frightening.</p>
<p style="text-align: justify;">“You bring back much wampum,” says Cappie. “Do good in war, my braves, and capture many scalps.” This is another of her pretenses: that they are boys, and bloodthirsty. But such a game cannot be played by substituting the word squaw. lt would not work at all.</p>
<p style="text-align: justify;">Each of them has to stand up and step forward and have a red line drawn across her cheeks by Cappie. She tells them they must follow in the paths of their ancestors (who most certainly, thinks Lois, looking out the window of her apartment and remembering the family stash of daguerreotypes and sepia-colored portraits on her mother’s dressing table–the stiff-shirted, black-coated, grim-faced men and the beflounced women with their severe hair and their corsetted respectability–would never have considered heading off onto an open lake, in a canoe, just for fun).</p>
<p style="text-align: justify;">At the end of the ceremony they all stood and held hands around the circle and sang taps. This did not sound very Indian, thinks Lois. It sounded like a bugle call at a military post, in a movie. But Cappie was never one to be much concerned with consistency, or with archaeology.</p>
<p style="text-align: justify;">After breakfast the next morning they set out from the main dock, in four canoes. three in each. The lipstick stripes have not come off completely and still show faintly pink, like healing burns. They wear their white denim sailing hats, because of the sun, and thin-striped T-shirts, and pale baggy shorts with the cuffs rolled up. The middle one kneels, propping her rear end against the rolled sleeping bags. The counselors going with them are Pat and Kip. Kip is no-nonsensc; Pat is easier to wheedle or fool.</p>
<p style="text-align: justify;">There are white puffy clouds and a small breeze. Glints come from the little waves. Lois is in the bow of Kip’s canoe. She still can’t do a J-stroke very well, and she will have to be in the bow or the middle for the whole trip. Lucy is behind her; her own J-stroke is even worse. She splashes Lois with her paddle, quite a big splash.</p>
<p style="text-align: justify;">“I’ll get you back,” says Lois.</p>
<p style="text-align: justify;">“There was a stable fly on your shoulder,” Lucy says.</p>
<p style="text-align: justify;">Lois turns to look at her, to see if she&#8217;s grinning. They’re in the habit of splashing each other. Back there, the camp has vanished behind the first long point of rock and rough trees. Lois feels as if an invisible rope has broken. They’re floating free, on their own, cut loose. Beneath the canoe the lake goes down, deeper and colder than it was a minute before.</p>
<p style="text-align: justify;">“No horsing around in the canoe,” says Kip. She&#8217;s rolled her T-shirt sleeves up to the shoulder; her arms are brown and sinewy, her jaw determined, her stroke perfect. She looks as if she knows exactly what she is doing.</p>
<p style="text-align: justify;">The four canoes keep close together. They sing, raucously and with defiance; they sing “The Quarter Master’s Store” and “Clementine&#8221; and “Alouette.” lt is more like bellowing than singing.</p>
<p style="text-align: justify;">After that the wind grows stronger, blowing slantwise against the bows, and they have to put all their energy into shoving themelves through the water.</p>
<p style="text-align: justify;">Was there anything important, anything that would provide some sort of reason or clue to what happened next? Lois can remember everything, every detail; but it does her no good.</p>
<p style="text-align: justify;">They stopped at noon for a swim and lunch, and went on in the afternoon. At last they reached Little Birch, which was the first campsite for overnight. Lois and Lucy made the fire while the others pitched the heavy canvas tents. The fireplace was already there, flat stones piled into a U shape. A burned tin can and a beer bottle had been left in it. Their fire went out, and they had to restart it. “Hustle your bustle,” said Kip. “We&#8217;re starving.”</p>
<p style="text-align: justify;">The sun went down, and in the pink sunset light they brushed their teeth and spat the toothpaste froth into the lake. Kip and Pat put all the food that wasn’t in cans into a packsack and slung it into a tree, in case of bears.</p>
<p style="text-align: justify;">Lois and Lucy weren’t sleeping in a tent. They’d begged to be allowed to sleep out; that way they could talk without the others hearing. If it rained, they told Kip, they promised not to crawl dripping into the tent over everyone’s legs: They would get under the canoes. So they were out on the point.</p>
<p style="text-align: justify;">Lois tried to get comfortable inside her sleeping bag, which smelled of musty storage and of earlier campers-a stale, salty sweetness. She curled herself up, with her sweater rolled up under her head for a pillow and her flashlight inside her sleeping bag so it wouldn’t roll away. The muscles of her sore arms were making small pings, like rubber bands breaking.</p>
<p style="text-align: justify;">Beside her Lucy was rustling around. Lois could see the glimmering oval of her white face.</p>
<p style="text-align: justify;">“I’ve got a rock poking into my back,&#8221; said Lucy.</p>
<p style="text-align: justify;">“So do I,” said Lois. “You want to go into the tent?&#8221; She herself didn’t, but it was right to ask.</p>
<p style="text-align: justify;">“No,&#8221; said Lucy. She subsided into her sleeping bag. After a moment she said, “It would be nice not to go back.”</p>
<p style="text-align: justify;">“To camp?&#8221; said Lois.</p>
<p style="text-align: justify;">&#8220;To Chicago,” said Lucy. “l hate it there.”</p>
<p style="text-align: justify;">“What about your boyfriend?&#8221; said Lois. Lucy didn’t answer. She was either asleep or pretending to be.</p>
<p style="text-align: justify;">There was a moon, and a movement of the trees. ln the sky there were stars, layers of stars that went down and down. Kip said that when the stars were bright like that instead of hazy, it meant bad weather later on. Out on the lake there were two loons, calling to each other in their insane, mournful voices. At the time it did not sound like grief. It was just background.</p>
<p style="text-align: justify;">The lake in the moming was flat calm. They skimmed along over the glassy surface, leaving V-shaped trails behind them; it felt like flying. As the sun rose higher it got hot, almost too hot. There were stable flies in the canoes, landing on a bare arm or leg for a quick sting. Lois hoped for wind.</p>
<p style="text-align: justify;">They stopped for lunch at the next of the named campsites, Lookout Point. It was called this because, although the site itself was down near the water on a flat shelf of rock, there was a sheer cliff nearby and a trail that led up to the top. The top was the lookout, although what you were supposed to see from there was not clear. Kip said it was just a view.</p>
<p style="text-align: justify;">Lois and Lucy decided to make the climb anyway. They didn’t want to hang around waiting for lunch. lt wasn&#8217;t their turn to cook, though they hadn’t avoided much by not doing it, because cooking lunch was no big deal. It was just unwrapping the cheese and getting out the bread and peanut butter, though Pat and Kip always had to do their woodsy act and boil up a billy tin for their own tea.</p>
<p style="text-align: justify;">They told Kip where they were going. You had to tell Kip where you were going, even if it was only a little way into the woods to get dry twigs for kindling. You could never go anywhere without a buddy.</p>
<p style="text-align: justify;">&#8220;Sure,&#8221; said Kip, who was crouching over the fire, feeding driftwood into it. “Fifteen minutes to lunch.”</p>
<p style="text-align: justify;">“Where are they off to?” said Pat. She was bringing their billy tin of water from the lake.</p>
<p style="text-align: justify;">&#8220;Lookout,&#8221; said Kip.</p>
<p style="text-align: justify;">“Be careful,” said Pat. She said it as an afterthought, because it was what she always said.</p>
<p style="text-align: justify;">“They’re old hands,” Kip said.</p>
<p style="text-align: justify;">Lois looks at her watch: lt’s ten to twelve. She is the watchminder; Lucy is careless of time. They walk up the path, which is dry earth and rocks, big rounded pinky-gray boulders or split-open ones with jagged edges. Spindly balsam and spruce trees grow to either side; the lake is blue fragments to the left. The sun is right overhead; there are no shadows anywhere. The heat comes up at them as well as down. The forest is dry and crackly.</p>
<p style="text-align: justify;">It isn’t far, but it’s a steep climb and they’re sweating when they reach the top. They wipe their faces with their bare arms. sit gingerly down on a scorching-hot rock, five feet from the edge but too close for Lois. lt’s.a lookout all right, a sheer drop to the lake and a long view over the water, back the way they&#8217;ve come. lt’s amazing to Lois that they&#8217;ve traveled so far, over all that water, with nothing to propel them but their own arms. lt makes her feel strong. There are all kinds of things she is capable of doing.</p>
<p style="text-align: justify;">“lt would be quite a dive off here,&#8221; says Lucy.</p>
<p style="text-align: justify;">“You’d have to be nuts,&#8221; says Lois.</p>
<p style="text-align: justify;">“Why?&#8221; says Lucy. “lt’s really deep. lt goes straight down.” She stands up and takes a step nearer the edge. Lois gets a stab in her midriff, the kind she gets when a car goes too fast over a bump. “Don’t,&#8221; she says.</p>
<p style="text-align: justify;">“Don’t what?&#8221; says Lucy, glancing around at her mischievously. She knows how Lois feels about heights. But she turns back. “I really have to pee,” she says.</p>
<p style="text-align: justify;">&#8220;You have toilet paper?&#8221; says Lois, who is never without it. She digs in her shorts pocket.</p>
<p style="text-align: justify;">“Thanks,” says Lucy.</p>
<p style="text-align: justify;">They are both adept at peeing in the woods: doing it fast so the mosquitoes don’t get you, the underwear pulled up between the knees, the squat with the feet apart so you don`t wet your legs, facing downhill; the exposed feeling of your bum, as if someone is looking at you from behind. The etiquette when you’re with someone else is not to look. Lois stands up and starts to walk back down the path, to be out of sight.</p>
<p style="text-align: justify;">“Wait for me?&#8221; says Lucy.</p>
<p style="text-align: justify;">Lois climbed down, over and around the boulders, until she could not see Lucy; she waited. She could hear the voices of the others, talking and laughing, down near the shore. One voice was yelling, “Ants! Ants!&#8221; Someone must have sat on an anthill. Off to the side, in the woods, a raven was croaking, a hoarse single note.</p>
<p style="text-align: justify;">She looked at her watch: It was noon. This is when she heard the shout.</p>
<p style="text-align: justify;">She has gone over and over it in her mind since. so many times that the first, real shout has been obliterated, like a footprint trampled by other footprints. But she is sure (she is almost positive, she is nearly certain) that it was not a shout of fear. Not a scream. More like a cry of surprise, cut off too soon. Short, like a dog’s bark.</p>
<p style="text-align: justify;">&#8220;Lucy?” Lois said. Then she called. “Lucy!&#8221; By now she was clambering back up, over the stones of the path. Lucy was not up there. Or she was not in sight.</p>
<p style="text-align: justify;">“Stop fooling around,” Lois said. “lt&#8217;s lunchtime.” But Lucy did not rise from behind a rock or step out, smiling, from behind a tree. The sunlight was all around; the rocks looked white.</p>
<p style="text-align: justify;">“This isn’t funny!&#8221; Lois said, and it wasn’t. Panic was rising in her, the panic of a small child who does not know where the bigger ones are hidden. She could hear her own heart. She looked quickly around; she lay down on the ground and looked over the edge of the cliff. lt made her feel cold. There was nothing.</p>
<p style="text-align: justify;">She went back down the path, stumbling; she was breathing too quickly; she was too frightened to cry. She felt terrible, guilty and dismayed, as if she had done something very bad by mistake, something that could never be repaired. &#8220;Lucy&#8217;s gone,” she told Kip.</p>
<p style="text-align: justify;">Kip looked up from her fire, annoyed. The water in the billy tin was boiling. “What do you mean, ‘Gone’?” she said. “Where did she go?&#8221;</p>
<p style="text-align: justify;">“l don’t know,” said Lois. “She’s just gone.”</p>
<p style="text-align: justify;">No one had heard the shout; but then, no one had heard Lois calling either. They had been talking among themselves, by the water. Kip and Pat went up to the lookout and searched and called and blew their whistles. Nothing answered.</p>
<p style="text-align: justify;">Then they came back down, and Lois had to tell exactly what had happened. The other girls all sat in a circle and listened to her. Nobody said anything. They all looked frightened, especially Pat and Kip. They were the leaders. You did not just lose a camper like this, for no reason at all.</p>
<p style="text-align: justify;">“Why did you leave her alone?&#8221; said Kip.</p>
<p style="text-align: justify;">“l was just down the path,” said Lois. “l told you. She had to go to the bathroom.” She did not say pee in front of people older than herself. Kip looked disgusted.</p>
<p style="text-align: justify;">“Maybe she just walked off into the woods and got turned around,” said one of the girls.</p>
<p style="text-align: justify;">“Maybe she&#8217;s doing it on purpose,” said another.</p>
<p style="text-align: justify;">Nobody believed either of these theories.</p>
<p style="text-align: justify;">They took the canoes and searched around the base of the cliff and peered down into the water. But there had been no sound of falling rock; there had been no splash. There was no clue. nothing at all. Lucy had simply vanished.</p>
<p style="text-align: justify;">That was the end of the canoe trip. lt took them the same two days to go back that it had taken coming in, even though they were short a paddler. They did not sing. After that the police went, in a motorboat, with dogs; they were the Mounties and the dogs were German shepherds, trained to follow trails in the woods. But it had rained since, and they could find nothing. Lois is sitting in Cappie&#8217;s office. Her face is bloated with crying, she’s seen that in the mirror. By now she feels numbed; she feels as if she has drowned. She can’t stay here. It has been too much of a shock. Tomorrow her parents are coming to take her away. Several of the other girls who were on the canoe trip are being collected in the same way. The others will have to stay, because their parents are in Europe or cannot be reached.</p>
<p style="text-align: justify;">Cappie is grim. They’ve tried to hush it up, but of course everyone in camp knows. Soon the papers will know too. You can’t keep it quiet, but what can be said? What can be said that makes any sense? “Girl vanishes in broad daylight, without a trace.” lt can&#8217;t be believed; other things, worse things, will be suspected. Negligence, at the very least. But they have always taken such care. Bad luck will gather around Camp Manitou like a fog; parents will avoid it in favor of other, luckier places. Lois can see Cappie thinking all this, even through her numbness. lt&#8217;s what anyone would think.</p>
<p style="text-align: justify;">Lois sits on the hard wooden chair in Cappie’s office, beside the old wooden desk over which hangs the thumbtacked bulletin board of normal camp routine, and gazes at Cappie through her puffy eyelids. Cappie is now smiling what is supposed to be a reassuring smile. Her manner is too casual: She`s after something. Lois has seen this look on Cappie’s face when she’s been sniffing out contraband chocolate bars, hunting down those rumored to have snuck out of their cabins at night.</p>
<p style="text-align: justify;">“Tell me again,&#8221; says Cappie, “from the beginning.”</p>
<p style="text-align: justify;">Lois has told her story so many times by now, to Pat and Kip, to Cappie, to the police, that she knows it word for word. She knows it, but she no longer believes it. lt has become a story. “I told you,” she says. “She wanted to go to the bathroom. I gave her my toilet paper. I went down the path, I waited for her. l heard this kind of shout. . . &#8220;</p>
<p style="text-align: justify;">&#8220;Yes,&#8221; says Cappie, smiling confidingly, “but before that. What did you say to each other?&#8221;</p>
<p style="text-align: justify;">Lois thinks. Nobody has asked her this before. “She said you could dive off there. She said it went straight down.&#8221;</p>
<p style="text-align: justify;">“And what did you say?&#8221;</p>
<p style="text-align: justify;">“I said you’d have to be nuts.”</p>
<p style="text-align: justify;">“Were you mad at Lucy?&#8221; says Cappie, in an encouraging voice.</p>
<p style="text-align: justify;">“No,” says Lois. “Why would I be mad at Lucy? I wasn’t ever mad at Lucy.&#8221; She feels like crying again. The times when she has, in fact, been mad at Lucy have been erased already. Lucy was always perfect.</p>
<p style="text-align: justify;">“Sometimes we&#8217;re angry when we don&#8217;t know we&#8217;re angry,” says Cappie, as if to herself. &#8220;Sometimes we get really mad and we don’t even know it. Sometimes we might do a thing without meaning to, or without knowing what will happen. We lose our tempers.”</p>
<p style="text-align: justify;">Lois is only thirteen, but it doesn’t take her long to figure out that Cappie is not including herself in any of this. By we she means Lois. She is accusing Lois of pushing Lucy off the cliff.</p>
<p style="text-align: justify;">The unfairness of this hits her like a slap. &#8220;I didn’t!” she says.</p>
<p style="text-align: justify;">“Didn’t what?&#8221; says Cappie softly. “Didn’t what, Lois?&#8221;</p>
<p style="text-align: justify;">Lois does the worst thing. She begins to cry. Cappie gives her a look like a pounce. She&#8217;s got what she wanted.</p>
<p style="text-align: justify;">Later, when she was grown up, Lois was able to understand what this interview had been about. She could see Cappie’s desperation, her need for a story, a real story with a reason in it; anything but the senseless vacancy Lucy had left for her to deal with. She wanted Lois to supply the reason, to be the reason. It wasn’t even for the newspapers or the parents, because she could never make such an accusation without proof. lt was for herself: something to explain the loss of Camp Manitou and of all she had worked for, the years of entertaining spoiled children and buttering up parents and making a fool of herself with feathers stuck in her hair. Camp Manitou was, in fact, lost. lt did not survive.</p>
<p style="text-align: justify;">Lois worked all this out, twenty years later. But it was far too late. lt was too late even ten minutes afterward, when she&#8217;d left Cappie’s office and was walking slowly back to her cabin to pack. Lucy’s clothes were still there, folded on the shelves, as if waiting. She felt the other girls in the cabin watching her with speculation in their eyes. Could she have done it? She must have done it. For the rest of her life, she has caught people watching her in this way.</p>
<p style="text-align: justify;">Maybe they weren&#8217;t thinking this. Maybe they were merely sorry for her. But she felt she had been tried and sentenced, and this is what has stayed with her: the knowledge that she has been singled out, condemned for something that was not her fault.</p>
<p style="text-align: justify;">*  *  *</p>
<p style="text-align: justify;">Lois sits in the living room of her apartment, drinking a cup of tea. Through the knee-to-ceiling window she has a wide view of Lake Ontario, with its skin of wrinkled blue-gray light, and of the willows of Toronto Island shaken by a wind that is silent at this distance and on this side of the glass. When there isn’t too much pollution she can see the far shore, the foreign shore, though today it is obscured.</p>
<p style="text-align: justify;">Possibly she should go out, go downstairs, do some shopping; there isn`t much in the refrigerator. The boys say she doesn’t get out enough. But she isn’t hungry, and moving, stirring from this space, is increasingly an effort.</p>
<p style="text-align: justify;">She can hardly remember, now, having her two boys in the hospital, nursing them as babies; she can hardly remember getting married, or what Rob looked like. Even at the time she never felt she was paying full attention. She was tired a lot, as if she was living not one life but two: her own, and another, shadowy life that hovered around her and would not let itself be realized, the life of what would have happened if Lucy had not stepped sideways and disappeared from time.</p>
<p style="text-align: justify;">She would never go up north, to Rob’s family cottage or to any place with wild lakes and wild trees and the calls of loons. She would never go anywhere near. Still, it was as if she was always listening for another voice, the voice of a person who should have been there but was not. An echo.</p>
<p style="text-align: justify;">While Rob was alive, while the boys were growing up, she could pretend she didn’t hear it, this empty space in sound. But now there is nothing much left to distract her.</p>
<p style="text-align: justify;">She turns away from the window and looks at her pictures. There is the pinkish island, in the lake, with the intertwisted trees. lt’s the same landscape they paddled through, that distant summer. She’s seen travelogues of this country, aerial photographs; it looks different from above, bigger, more hopeless: lake after lake, random blue puddles in dark green bush, the trees like bristles. How could you ever find anything there, once it was lost? Maybe if they cut it all down, drained it all away, they might find Lucy’s bones. sometime. wherever they are hidden. A few bones, some buttons, the buckle from her shorts.</p>
<p style="text-align: justify;">But a dead person is a body; a body occupies space, it exists somewhere. You can see it; you put it in a box and bury it in the ground, and then it’s in a box in the ground. But Lucy is not in a box or in the ground. Because she is nowhere definite, she could be anywhere.</p>
<p style="text-align: justify;">And these paintings are not landscape paintings. Because there aren’t any landscapes up there, not in the old, tidy European sense, with a gentle hill, a curving river, a cottage, a mountain in the background, a golden evening sky. lnstead there’s a tangle, a receding maze, in which you can become lost almost as soon as you step off the path. There are no backgrounds in any of these paintings, no vistas; only a great deal of foreground that goes back and back, endlessly, involving you in its twists and turns of tree and branch and rock. No matter how far back in you go, there will be more. And thetrees themselves are hardly trees; they are currents of energy. charged with violent color.</p>
<p style="text-align: justify;">Who knows how many trees there were on the cliff just before Lucy disappeared? Who counted? Maybe there was one more, afterward. Lois sits in her chair and does not move. Her hand with the cup is raised halfway to her mouth. She hears something, almost hears it: a shout of recognition or of joy.</p>
<p style="text-align: justify;">She looks at the paintings, she looks into them. Every one of them is a picture of Lucy. You can’t see her exactly, but she’s there, in behind the pink stone island or the one behind that. ln the picture of the cliff she is hidden by the clutch of fallen rocks toward the bottom; in the one of the river shore she is crouching beneath the overtumed canoe. ln the yellow autumn woods she’s behind the tree that cannot be seen because of the other trees, over beside the blue sliver of pond; but if you walked into the picture and found the tree, it would be the wrong one, because the right one would be farther on.</p>
<p style="text-align: justify;">Everyone has to be somewhere, and this is where Lucy is. She is in Lois’s apartment, in the holes that open inward on the wall, not like windows but like doors. She is here. She is entirely alive.</p>
<p>The post <a href="https://harvardsquareedition.com/death-by-landscape-by-margaret-atwood/">Death by Landscape, by Margaret Atwood</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>Valentine</title>
		<link>https://harvardsquareedition.com/valentine/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Fri, 14 Feb 2025 18:33:35 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14567</guid>

					<description><![CDATA[<p>&#160; Come won’t you be &#160; my Valentine? &#160; * &#160; boon to the heart &#160; blessing condign &#160; melded of sweetness &#160; in whisper of wine &#160; * &#160; bonded eternal &#160; plighted in troth &#160; vested in fealty &#160; in gifting gratuitous &#160; in forgiving repine &#160; * &#160; we who are sod [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/valentine/">Valentine</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>Come</p>
<p>won’t you</p>
<p>be</p>
<p>&nbsp;</p>
<p>my</p>
<p>Valentine?<br />
&nbsp;</p>
<p>*<br />
&nbsp;</p>
<p>boon to the</p>
<p>heart<br />
&nbsp;</p>
<p>blessing</p>
<p>condign</p>
<p> &nbsp;<br />
melded of</p>
<p>sweetness<br />
&nbsp;</p>
<p>in  whisper of</p>
<p>wine</p>
<p>&nbsp;</p>
<p>*<br />
&nbsp;</p>
<p>bonded</p>
<p>eternal<br />
&nbsp;</p>
<p>plighted in</p>
<p>troth<br />
&nbsp;</p>
<p>vested in</p>
<p>fealty</p>
<p> &nbsp;</p>
<p>in gifting</p>
<p>gratuitous</p>
<p> &nbsp;</p>
<p>in forgiving</p>
<p>repine<br />
&nbsp;</p>
<p> *<br />
&nbsp;</p>
<p><em>we who</p>
<p>are</p>
<p>sod</p>
<p> &nbsp;</p>
<p>yet dare</p>
<p>be</p>
<p>sublime</em></p>
<p> &nbsp;</p>
<p><em>predatory</p>
<p>mammals</p>
<p> &nbsp;</p>
<p>bare risen</p>
<p>from slime</em></p>
<p>&nbsp;</p>
<p> *<br />
&nbsp;<br />
though grappled</p>
<p>with griefs<br />
&nbsp;</p>
<p>in treasons</p>
<p>of time</p>
<p>  &nbsp;</p>
<p>erasing </p>
<p>foreclosures<br />
&nbsp;</p>
<p>of mine and</p>
<p>thine<br />
&nbsp;<br />
 *<br />
&nbsp;<br />
won’t you<br />
&nbsp;</p>
<p>yet</p>
<p>won’t you</p>
<p> &nbsp;</p>
<p><em>ageless in</p>
<p>heart</p>
<p> &nbsp;</p>
<p>insensate</p>
<p>of mind</em></p>
<p> &nbsp;</p>
<p>be my<br />
&nbsp;</p>
<p><em>be my own</p>
<p>Valentine?</em></p>
<p>&nbsp;<br />
<strong>[© R.Kanth 2025]</strong>  </p>
<p>&nbsp;<br />
<strong>Professor Rajani Kanth, is Author of <em>Coda,</em><em> A Day in the Life</em>, <em>Expiations</em>, and <em>Farewell to Modernism&lt;/</strong>em&gt;</p>
<p>The post <a href="https://harvardsquareedition.com/valentine/">Valentine</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>Revival of Things Past</title>
		<link>https://harvardsquareedition.com/revival-of-things-past-2/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Thu, 13 Feb 2025 01:17:57 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14559</guid>

					<description><![CDATA[<p>&#160; (for CLM) &#160; &#160; O for a romp down Memory Lane where we drank sweet coke but took our coffee plain where ennui was about the only bane &#8216; Where a shrink or a pill lulled every pain where Guilt was allowed even Shame was legit where failure we owned and to be sorry [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/revival-of-things-past-2/">Revival of Things Past</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p> &nbsp;<br />
<em>(for CLM)</em><br />
&nbsp;<br />
&nbsp;</p>
<p>O for  a romp<br />
down<br />
Memory Lane</p>
<p>where we<br />
drank<br />
sweet coke</p>
<p>but took<br />
our<br />
coffee plain</p>
<p>where<em> ennui</em><br />
was  about<br />
the only bane</p>
<p>&#8216;</p>
<p>Where a shrink<br />
or  a pill</p>
<p>lulled<br />
every pain</p>
<p>where Guilt<br />
was<br />
allowed</p>
<p>even Shame<br />
was legit</p>
<p>where failure<br />
we owned</p>
<p>and to be<br />
sorry admit</p>
<p>.</p>
<p>Where to aim<br />
too high</p>
<p>was never<br />
a dare</p>
<p>and betrayal<br />
by one’s<br />
own</p>
<p>only rarely<br />
a scare</p>
<p>*</p>
<p>O for a<br />
stroll down<br />
memory lane</p>
<p>where we<br />
watched<br />
Hitchcock</p>
<p>munched on<br />
candy cane</p>
<p>where the<br />
air<br />
hung clear</p>
<p>the Spirit<br />
flew high</p>
<p>and the sun<br />
shone<br />
through</p>
<p>why<br />
even  in<br />
rain</p>
<p>*</p>
<p>But then It<br />
All<br />
changed</p>
<p>and the<br />
needle<br />
swung wild</p>
<p><em>rules were<br />
not<br />
rules</p>
<p>to break<br />
them<br />
no stain</em></p>
<p>.</p>
<p>We passed all<br />
posts</p>
<p>breached all<br />
due norms</p>
<p>and  history<br />
got morphed</p>
<p>into<br />
legerdemain</p>
<p>*</p>
<p>O for a<br />
run back<br />
on memory lane</p>
<p><em>doing it<br />
for  fun</p>
<p>not<br />
merely<br />
for  gain</em></p>
<p>.</p>
<p>In intuitions<br />
archival</p>
<p>dry reason<br />
disdain</p>
<p>where<br />
if ignorance<br />
loomed large</p>
<p>penitence<br />
was true</p>
<p>and the  line<br />
we drew<br />
sharp</p>
<p>‘twixt<br />
sane<br />
and insane</p>
<p>.</p>
<p>O for a<br />
slide down<br />
Memory Lane</p>
<p><em>where love<br />
was<br />
just enough</p>
<p>to writhe<br />
blissful<br />
in pain </em></p>
<p>than  gross<br />
sins<br />
of our kind</p>
<p>cleft deep<br />
against<br />
the grain</p>
<p>*</p>
<p>O to let go<br />
of  memory<br />
lane</p>
<p>where what<br />
is<br />
lost is lost</p>
<p>and to<br />
dotingly<br />
linger</p>
<p>is hopelessly<br />
vain</p>
<p>.</p>
<p>And so<br />
to return</p>
<p>to our own<br />
sordid<br />
time</p>
<p><em>where the<br />
heart<br />
is hung heavy</em></p>
<p><em>O so very<br />
heavy </em></p>
<p>yes, the<br />
heart<br />
is hung heavy</p>
<p><em>for the<br />
fever<br />
in the brain</em><br />
.</p>
<p><strong>[© R.Kanth 2020/25]</strong>  </p>
<p>&nbsp;<br />
<strong>Professor Rajani Kanth, is Author of <em>Coda,</em><em> A Day in the Life</em>, <em>Expiations</em>, and <em>Farewell to Modernism&lt;/</strong>em&gt;</p>
<p>The post <a href="https://harvardsquareedition.com/revival-of-things-past-2/">Revival of Things Past</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>In Essence</title>
		<link>https://harvardsquareedition.com/in-essence-3/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Mon, 03 Feb 2025 19:02:51 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14527</guid>

					<description><![CDATA[<p>&#160; &#8216;Fishes tipple in the deep birds wanton in the air&#8217;** they know not the wayward reckonings of dank regret or care &#160; * &#160; I go to where I should not go where not even angels dare asking for such indemnities of a wasted life I swear &#160; * &#160; It is a publind [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/in-essence-3/">In Essence</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p><em>&#8216;Fishes tipple in the deep<br />
birds wanton in the air&#8217;</em>**</p>
<p>they know not the wayward reckonings<br />
of dank regret or care<br />
&nbsp;<br />
*<br />
&nbsp;<br />
I go to where I should not go<br />
where not even  angels dare</p>
<p>asking for such  indemnities<br />
of a wasted life I swear<br />
&nbsp;<br />
*<br />
&nbsp;<br />
It is a publind universe<br />
unjust grim  and  bare</p>
<p>quelling the  quaking babblings<br />
of weak and wan despair<br />
&nbsp;<br />
*<br />
&nbsp;<br />
<em>It is a purblind universe<br />
unjust, grim,  and  bare<br />
&nbsp;<br />
where every hope is a feckless dupe<br />
and every gift a snare</em></p>
<p>&nbsp;</p>
<p>** I&#8217;ve borrowed these two ethereal phrases from Richard Lovelace, circa C.E. 1642</p>
<p>&nbsp;<br />
<strong>[©R.Kanth, 2025]  </strong></p>
<p>&nbsp;<br />
<strong>Professor Rajani Kanth, is Author of <em>Coda,</em><em> A Day in the Life</em>, <em>Expiations</em>, and <em>Farewell to Modernism&lt;/</strong>em&gt;</p>
<p>The post <a href="https://harvardsquareedition.com/in-essence-3/">In Essence</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>Midnight</title>
		<link>https://harvardsquareedition.com/midnight/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Wed, 25 Sep 2024 19:28:08 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14417</guid>

					<description><![CDATA[<p>&#160; It’s a lovely moonlit night . eerie bats hang high in flight . in heaven’s hazy paling light . the world is tranquil like the night * Yet is spirit far from calm . penury wreaks a turbid harm . a hurt for which there is no balm . in cleft of sleepless poesy [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/midnight/">Midnight</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>It’s a lovely</p>
<p>moonlit</p>
<p>night</p>
<p>.</p>
<p>eerie bats</p>
<p>hang high</p>
<p>in flight</p>
<p>.</p>
<p>in heaven’s</p>
<p>hazy paling</p>
<p>light</p>
<p>.</p>
<p><em>the world is</p>
<p>tranquil</p>
<p>like the</p>
<p>night</em></p>
<p>*</p>
<p>Yet is  </p>
<p>spirit</p>
<p>far from calm</p>
<p>.</p>
<p>penury wreaks</p>
<p>a turbid</p>
<p>harm</p>
<p>.</p>
<p>a hurt </p>
<p>for</p>
<p>which</p>
<p>there is no</p>
<p>balm</p>
<p>.</p>
<p>in cleft</p>
<p>of   sleepless</p>
<p>poesy</p>
<p>.</p>
<p>springs a</p>
<p>surging</p>
<p>swirling storm</p>
<p>*</p>
<p>Far away</p>
<p>the vestals</p>
<p>weep</p>
<p>.</p>
<p>as</p>
<p>famished children</p>
<p>cry in sleep</p>
<p>.</p>
<p>and</p>
<p>deadly odors</p>
<p>fill the air</p>
<p>.</p>
<p><em>as hate</p>
<p>arrides</p>
<p>all naked bare</em></p>
<p> *</p>
<p>Far away</p>
<p>the  hubris</p>
<p>sweeps</p>
<p>.</p>
<p>stirring</p>
<p>sullen surly</p>
<p>deeps</p>
<p>.</p>
<p>as perfect</p>
<p>strangers</p>
<p>kill and die</p>
<p>.</p>
<p>not really</p>
<p>knowing</p>
<p>reason why</p>
<p>*</p>
<p>Night wakes</p>
<p>untimely</p>
<p>here</p>
<p>.</p>
<p>as day  </p>
<p>still lies</p>
<p>sleeping there</p>
<p>.</p>
<p>yet there&#8217;s</p>
<p>no light</p>
<p>anywhere</p>
<p>.</p>
<p>In primal</p>
<p>force of</p>
<p>warped will</p>
<p>.</p>
<p>in thrall driven</p>
<p>to curse</p>
<p>and kill</p>
<p>.</p>
<p>as night</p>
<p>comes closing</p>
<p>everywhere</p>
<p>.</p>
<p>and  the fallen</p>
<p>gasp for</p>
<p>air</p>
<p>*</p>
<p><em><strong>Extinction</p>
<p>haunts</p>
<p>the human</p>
<p>fate</strong><em></em></p>
<p>.</p>
<p><em>redemption</p>
<p>may come  </p>
<p>far too</p>
<p>late?</em></p>
<p>.</p>
<p>and when the</p>
<p>fogs of</p>
<p>fury clear</p>
<p>.</p>
<p>we may know </p>
<p>what is</p>
<p>or is not</p>
<p>dear</p>
<p>.</p>
<p>why blood</p>
<p>that </p>
<p>spills</p>
<p>rage that</p>
<p>kills</p>
<p>.</p>
<p>is ancient</p>
<p>as</p>
<p>those wizened</p>
<p>hills</p>
<p>.</p>
<p>sentinels</p>
<p>of earth</p>
<p>and sky</p>
<p>.</p>
<p>voyeurs</p>
<p>that watch</p>
<p>us</p>
<p>kill and die</p>
<p>.</p>
<p>as in our</p>
<p>dying primal</p>
<p>screams</p>
<p>.</p>
<p>we wake from</p>
<p>fevered fiery</p>
<p>dreams</p>
<p>.</p>
<p>to  the</p>
<p>break of</p>
<p>waking day</p>
<p>.</p>
<p>sweeping</p>
<p>fogging mists</p>
<p>away</p>
<p>.</p>
<p>to start again</p>
<p>new vows</p>
<p>at hand</p>
<p>.</p>
<p>pledged to</p>
<p>save</p>
<p>a ravished land</p>
<p> *</p>
<p>And so we</p>
<p>ever</p>
<p>cycle on</p>
<p>.</p>
<p>as many</p>
<p>to die</p>
<p>as will</p>
<p>be born</p>
<p>.</p>
<p>in will</p>
<p>helpless</p>
<p>in fate</p>
<p>forlorn</p>
<p> *</p>
<p>Yet in</p>
<p>mordant</p>
<p>irony</p>
<p>.<br />
<strong><br />
<em>‘tis  still</p>
<p>a lovelorn </p>
<p>moonlit night&lt;/</strong>em&gt;</p>
<p>.<br />
<em>let it not</p>
<p>wake</p>
<p>to</p>
<p>morning</p>
<p>blight</em><br />
.</p>
<p>undiscerning</p>
<p>wrong</p>
<p>from right<br />
.</p>
<p>uncaring</p>
<p>be it</p>
<p>dark or light<br />
.</p>
<p>unmoved be </p>
<p>it</p>
<p>true or trite<br />
.</p>
<p>unknowing</p>
<p>be it flight</p>
<p>or fight</p>
<p>*</p>
<p><em><strong>In the all </p>
<p>confounding </p>
<p>ignorance<br />
.</p>
<p>find a scintilla</p>
<p>of sense</strong></em><br />
&nbsp;<br />
<strong>[©R.Kanth, 2024]  </strong></p>
<p>&nbsp;<br />
<strong>Professor Rajani Kanth, is Author of <em>Coda,</em><em> A Day in the Life</em>, <em>Expiations</em>, and <em>Farewell to Modernism&lt;/</strong>em&gt;<br />
 &nbsp;</p>
<p>The post <a href="https://harvardsquareedition.com/midnight/">Midnight</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<item>
		<title>Frailty</title>
		<link>https://harvardsquareedition.com/frailty/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Tue, 10 Sep 2024 21:05:09 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14403</guid>

					<description><![CDATA[<p>&#160; There are no honest wages for dun labors of the heart fey in flush of blood and tears no healing zephyrs start &#160; * &#160; There one must take the rap let hope for mercies go submit to the blanched pain watch the laden spirit flow &#160; * &#160; It’s the way with all [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/frailty/">Frailty</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>There are<br />
no<br />
honest wages</p>
<p>for  dun<br />
labors<br />
of the heart</p>
<p>fey  in<br />
flush of blood<br />
and tears</p>
<p>no healing<br />
zephyrs<br />
start<br />
&nbsp;<br />
*<br />
&nbsp;<br />
There one must<br />
take the<br />
rap</p>
<p>let hope for<br />
mercies<br />
go</p>
<p>submit to<br />
the<br />
blanched pain</p>
<p>watch the<br />
laden spirit<br />
flow<br />
&nbsp;<br />
*<br />
&nbsp;</p>
<p>It’s the way<br />
with<br />
all flesh</p>
<p>this surely<br />
must you<br />
know</p>
<p><em>pining for<br />
love’s<br />
sweet requital</p>
<p>we reap more<br />
than<br />
we could sow</em><br />
&nbsp;<br />
*<br />
&nbsp;<br />
<em>And faltering<br />
in fading<br />
grace</p>
<p>succumb to<br />
wound<br />
and woe</em><br />
&nbsp;<br />
<strong>[©R.Kanth, 2024]  </strong></p>
<p>&nbsp;<br />
Professor Rajani Kanth, is Author of <em>Coda,</em><em> A Day in the Life</em>, <em>Expiations</em>, and <em>Farewell to Modernism</em><br />
 &nbsp;</p>
<p>The post <a href="https://harvardsquareedition.com/frailty/">Frailty</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>Le Coeur</title>
		<link>https://harvardsquareedition.com/le-coeur-3/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Sun, 01 Sep 2024 21:58:44 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=6850</guid>

					<description><![CDATA[<p>&#160; There is no Kingdom of the heart there the Plebes who reign &#160; There&#8217;s no measure of its largesse be it of joy or pain &#160; * &#160; It dares only to remember it cares but not to forget &#160; What&#8217;s too graven to embrace it laves in legerdemain &#160; * &#160; Never seeking [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/le-coeur-3/">Le Coeur</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p><em><strong>There is no Kingdom<br />
of the heart<br />
there the Plebes<br />
who reign</strong></em></p>
<p>&nbsp;</p>
<p>There&#8217;s no measure<br />
of its largesse<br />
be it  of  joy<br />
or pain</p>
<p>&nbsp;</p>
<p>*</p>
<p>&nbsp;<br />
<em>It dares only  to<br />
remember<br />
it cares but not<br />
to forget</em></p>
<p>&nbsp;</p>
<p><em>What&#8217;s too graven<br />
to embrace<br />
it laves<br />
in legerdemain</em></p>
<p>&nbsp;</p>
<p>*</p>
<p>&nbsp;<br />
Never seeking to<br />
calculate<br />
audits both loss<br />
and gain<br />
&nbsp;<br />
And never needing<br />
to cogitate<br />
showers the  truth<br />
like rain<br />
&nbsp;</p>
<p>*</p>
<p>&nbsp;<br />
<em>Beyond passions<br />
of love and hate<br />
strews Verities<br />
like rain</em><strong><br />
&nbsp;<br />
<strong> [© R.Kanth 2024</strong>]<br />
&nbsp;<br />
Professor Rajani Kanth, is Author of <em>Coda,</em><em> A Day in the Life</em>, and <em>Expiations</em><br />
 &nbsp;</p>
<p>The post <a href="https://harvardsquareedition.com/le-coeur-3/">Le Coeur</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>The Economist</title>
		<link>https://harvardsquareedition.com/the-economist/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Sat, 31 Aug 2024 20:09:57 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14360</guid>

					<description><![CDATA[<p>&#160; (for Joan Robinson, who knew it all) &#160; It’s the Age of Quantity the Economist rules the roost works so very ardently to give his phony arts a boost knows the Price of everything but Value not at all Capital’s choice handmaiden at his Master’s beck and call doughty prize-fighter apologist for hire earns [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/the-economist/">The Economist</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p> &nbsp;</p>
<p><em>(for <strong>Joan Robinson,</strong> who knew it all)</em></p>
<p> &nbsp;</p>
<p><em><strong>It’s the Age<br />
of Quantity<br />
the Economist<br />
rules the roost</strong><br />
 </em><br />
works so very<br />
ardently<br />
to give his<br />
phony arts<br />
a boost</p>
<p><em><strong>knows the Price<br />
of everything<br />
but Value not<br />
at all<br />
 </strong></em></p>
<p><em>Capital’s<br />
choice handmaiden<br />
at his Master’s<br />
beck and call<br />
 </em><br />
<em>doughty prize-fighter<br />
apologist for hire<br />
earns his errant<br />
Nobel Prize<br />
preaching louder<br />
than the choir</em><br />
&nbsp;<br />
*<br />
 &nbsp;<br />
<em><strong>Devil take<br />
the hindmost<br />
runs the dull<br />
refrain</strong></em></p>
<p>here there and<br />
everywhere<br />
spreads his <strong><em>Litany<br />
of Gain</strong></em></p>
<p>disdains with<br />
specious models<br />
all benevolence<br />
and care</p>
<p><em><strong>touting<br />
race to the<br />
fittest<br />
under rule<br />
of laissez faire</strong><br />
 </em><br />
&nbsp;<br />
*<br />
&nbsp;<br />
<em><br />
<strong>A set of shrewd<br />
assumptions<br />
self-limits<br />
what s/he finds</strong></em></p>
<p>sadly dupes<br />
the hoi polloi<br />
with dusty rusty<br />
minds<br />
<em><br />
<strong>masks nursery<br />
idiotics<br />
with equations<br />
and the like</strong></em></p>
<p>few daring to<br />
say to him<br />
<strong><em>‘inveigler<br />
take a ____’<br />
 </strong><br />
&nbsp;<br />
*</em><br />
 &nbsp;<br />
Quite<br />
ineffably<br />
less errant fool<br />
than knave</p>
<p>to stand up<br />
to his wiles<br />
need be<br />
principled<br />
and brave<br />
<em><br />
<strong><br />
‘iron law of wages’<br />
‘law of population’<br />
long tricked us<br />
one and all<br />
 </strong><br />
<strong>but his Age now<br />
is withering<br />
Writing’s on<br />
the Wall<br />
 </strong><br />
&nbsp;<br />
*</em><br />
 &nbsp;<br />
<em><strong>We are Mutualist<br />
Communals<br />
reciprocal at<br />
heart</p>
<p>a Pox on his<br />
rank corruptions<br />
and a Plague on his<br />
science and art</strong></em></p>
<p><strong><br />
[©R.Kanth 2023/24]</strong><br />
<em><br />
Professor Rajani Kanth, is Author of Coda (A Novel), A Day in the Life (Novel), Expiations (Verse), and Farewell to Modernism (Political Economy Tract).</em></p>
<p>The post <a href="https://harvardsquareedition.com/the-economist/">The Economist</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>The Vale of Cashmere</title>
		<link>https://harvardsquareedition.com/the-vale-of-cashmere/</link>
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		<dc:creator><![CDATA[The Editorial Board]]></dc:creator>
		<pubDate>Fri, 02 Aug 2024 22:29:46 +0000</pubDate>
				<category><![CDATA[Literary Scene]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=1162</guid>

					<description><![CDATA[<p>by Sean Elder This story first appeared in Voice from the Planet, FREE from March 30 &#8211; April 3, 2017 at Amazon Kindle US, and Kindle UK among others. &#160; Truth was, she used to be able to organize her thoughts, until Floyd retired. Now he was always hanging around talking to her, asking what she [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/the-vale-of-cashmere/">The Vale of Cashmere</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<h4 align="center"></h4>
<h5 style="text-align: left;" align="center">by <a href="http://harvardsquareeditions.org/portfolio-items/sean-elder/" target="_blank">Sean Elder</a></h5>
<h4 align="center"><a href="https://harvardsquareedition.com/wp-content/uploads/2013/03/Kozzi-green_forestSMAll.jpg"><img fetchpriority="high" decoding="async" class="size-medium wp-image-1164 alignleft" src="https://harvardsquareedition.com/wp-content/uploads/2013/03/Kozzi-green_forestSMAll-200x300.jpg" alt="green forest" width="220" height="310" /></a></h4>
<p style="text-align: justify;">This story first appeared in<em> <a href="http://www.amazon.com/gp/product/B00BG7RPCM/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B00BG7RPCM&amp;linkCode=as2&amp;tag=harvsquaedit-20" target="_blank">Voice from the Planet,</a></em><strong> FREE from March 30 &#8211; April 3, 2017 at Amazon</strong> <a href="https://www.amazon.com/Voice-Planet-Carlos-Victoria-ebook/dp/B00BG7RPCM/ref=sr_1_1_twi_kin_1?ie=UTF8&amp;qid=1490859484&amp;sr=8-1&amp;keywords=voice+from+the+planet+degelman" target="_blank">Kindle US</a>, and <a href="https://www.amazon.co.uk/Voice-Planet-Carlos-Victoria-ebook/dp/B00BG7RPCM/ref=sr_1_1_twi_kin_1?ie=UTF8&amp;qid=1490859521&amp;sr=8-1&amp;keywords=voice+from+the+planet+degelman" target="_blank">Kindle UK</a> among others.</p>
<p>&nbsp;</p>
<h5 style="text-align: justify;">Truth was, she used to be able to organize her thoughts, until Floyd retired. Now he was always hanging around talking to her, asking what she was doing. Every time he went out, which wasn’t often enough for her taste, he would ask her if she needed anything and then look angry if she did. Sometimes he’d look angry if she didn’t. Now she looked for errands for him, just to get a moment’s peace. When she sent him off for milk this morning she could have lived without it. But she couldn’t have stood listening to him complain about the bus ride to Atlantic City before it happened, not non-stop for the next two hours.</h5>
<p style="text-align: justify;">“You’re creating your future,” she told him. “Whatever you’re thinking and feeling, that becomes your reality.”</p>
<p style="text-align: justify;">“Don’t give me that shit,” he’d said, putting on his coat and hat. He had been wearing that same damned hat with the stingy brim so long it had come back in style.</p>
<p style="text-align: justify;">“It’s the law of attraction,” she’d continued. “You can deny it all you want but that don’t mean it’s not true. “Everything coming into your life you are attracting into your life. You’re like a magnet.”</p>
<p style="text-align: justify;">“Well, this magnet’s going to attract some milk,” he’d said before going out the door.</p>
<p style="text-align: justify;">He had made fun of her ever since she first heard Oprah talking about The Secret but deep down she thought that maybe he believed her. Or would, if he would just give it a try. He would come home so angry about something that happened out there – the security guy asleep in the chair, or someone who wouldn’t give his seat up on the subway – and she would tell him, “Every bad thing that comes into your life, you make happen.”</p>
<p style="text-align: justify;">Sometimes that really made Floyd angry. “Is that right? Every bad thing? I made happen every bad thing that came into my life, Marcy?” He would tower over her, breathing heavily, staring at the top of her lacquered hair until she was silent.</p>
<p style="text-align: justify;">She looked closely at the big digits on the clock by the bed. It was almost 8:30 and she still had not done her makeup. From the drawer in the nightstand on her side of the bed she looked for her own pill organizer and then realized she had already taken it out. She put it under the light, right beside that picture of her two boys, smiling in the lap of a black Santa, and looked at Wednesday. There were still pills in the morning box but the evening box was empty. Maybe she took the evening pills by mistake. Not that it mattered ‘cause they were basically the same. Or maybe she hadn’t filled the PM part.</p>
<p style="text-align: justify;">Looking at the rainbow colored compartments (Wednesday was green, Thursday red) she thought of Wilson, who had the hardest time with his R’s when he was little – “Weeding Wainbow,” he would say about his favorite show, and his brother would laugh at him. She felt overcome for a moment and then heard her husband’s keys in the door.</p>
<p style="text-align: justify;">She took the morning pills, four altogether, as Floyd shouted at her from the kitchen.</p>
<p style="text-align: justify;">“Do you know how much they wanted for a half-gallon of milk?” She imagined his face as he said the price and the way he would look at her afterwards. He might be looking that way right now, even though she wasn’t there.</p>
<p style="text-align: justify;">“Cost of everything is going up,” she yelled back. Then she stood and headed for the bathroom. “I got to get a move on.”</p>
<p style="text-align: justify;">“Ain’t you even going to drink your milk?” She heard him swear as she closed the bathroom door.</p>
<p style="text-align: justify;">The bus driver turned out to be some white guy who’d been sleeping in the back while people waited outside. The whole bus was talking about it, even after they got out of the Holland Tunnel and were getting on the turnpike, people tisking and hmm-hmming until Floyd wanted to yell, “Who told you to stand out there in the first place? It’s not even cold.” But he kept quiet and sat by a window, alone thank you very much, though Tommy insisted on sitting right in front of him, while Marcy huddled on the other side with a bunch of ladies. They outnumbered the men five to one anyway; he let Tommy represent, going back and forth across the aisle like some congressman making a deal. Each time he went over to the ladies he would say something so low that Floyd couldn’t hear and they would all laugh and holler.</p>
<p style="text-align: justify;">“I think it’s about time for some music,” Tommy said after one of his sorties. He had a gym bag with him that also said Mets on it, and from it he pulled a boom box that he tried to balance on the seatback in front of him. He pushed play and Johnnie Taylor started in on “Who’s Making Love” and the ladies all laughed, even though the sound was kind of wobbly. From the front of the bus the driver said something, they could see him looking at them in the rear view mirror, but no one tried to hear him. In fact Tommy stood up, with the boom box on his shoulder, and started to shake it in the aisle, which made the driver get on the mike.</p>
<p style="text-align: justify;">“Sir, I’m going to have to ask you to sit down.” He had some kind of accent, Russian or something, but no one really paid him any mind.</p>
<p style="text-align: justify;">The hits kept coming; it must have been some kind of collection since Floyd never heard a deejay. Tommy jammed the boom box between the headrest and the window so it wouldn’t fall down and turned around to look at Floyd, but not before looking at the driver, who had his eyes on the road again.</p>
<p style="text-align: justify;">“How ‘bout a little taste?” Tommy said, taking a half-pint in a brown bag from the pocket of his jacket.</p>
<p style="text-align: justify;">“Too early for me,” Floyd said, looking out the window. To him it always looked like New Jersey was halfway through being torn down.</p>
<p style="text-align: justify;">Across the aisle Marcy was in the middle of a conversation with the other ladies but she didn’t feel quite right. It started as soon as she left the building; she had picked out a brooch to go with her blue blouse, a little gold tree with red apples on it, but she had left it sitting in front of the mirror. Now she felt naked, all that blue stretching out below her chin like an empty ocean almost and she felt like she was being pulled back from drowning each time one of them stopped talking. That meant somebody was supposed to say something, you were supposed to jump in like it was a game of double-Dutch.</p>
<p style="text-align: justify;">“What I value most is the privacy,” Marcy said, but no one answered. She had a feeling she had said that before. The topic was assisted living and how to know when you needed it.</p>
<p style="text-align: justify;">“Until you wake up privately dead,” said the lady in the Kente cloth. Marcy didn’t remember meeting her before, a friend of Helen’s was how she was introduced, but she didn’t like her now. She had these gray and white streaks in her hair, extensions by the look of it, but it reminded Marcy of mud. Besides she was probably the youngest woman of the bunch, what was she talking about dying for?</p>
<p style="text-align: justify;">“My boy checks in on us every night,” said Marcy and immediately wondered why she had. It wasn’t true. Most times she had to call Eric and he never sounded too happy to hear from her. He did come to visit though, once a month at least. They saw less of him after his divorce, though you’d think it would be the other way around.</p>
<p style="text-align: justify;">“Where are we?” she said suddenly, looking out the window. Everything looked the same.</p>
<p style="text-align: justify;">“You keep asking that,” the lady in the Kente cloth said, or maybe she said. Marcy wasn’t looking at her and the music Tommy was playing made her feel lost.</p>
<p style="text-align: justify;">“Sending this one out for all you ladies,” said Tommy, like he was some deejay, and they all laughed but Marcy didn’t think it was funny. It was that song about sitting on a park bench that always made her sad. <i>“I see her face everywhere I go/on the street and even at the picture show/have you seen her?”</i></p>
<p style="text-align: justify;">There was a hospital up there high on a hill and for a second she felt that the bus was going to take off and fly straight up to its doors. She closed her eyes and felt herself rise.</p>
<p style="text-align: justify;">They parked in the lot of the Showboat casino. Though they could have gone anywhere they wanted, the thirty odd passengers that disembarked made for the Showboat as if summoned, shuffling and limping toward the entrance in a broken conga line.</p>
<p style="text-align: justify;">“No one says we got to go to this casino,” Floyd said to the crowd of ladies leading the way.</p>
<p style="text-align: justify;">“The Showboat has a Mardi Gras theme,” said the lady in the Kente cloth. She turned around to give Floyd the fisheye, pulling down her glasses as she did. “Besides, we got coupons for the Showboat.”</p>
<p style="text-align: justify;">He fell in line sullenly beside Tommy who offered him another drink. Floyd took a swallow this time without pulling down the brown paper to see what it was. It tasted like mouthwash.</p>
<p style="text-align: justify;">“Jesus, what the hell you drinking?”</p>
<p style="text-align: justify;">“Little peppermint schnapps.” Tommy tried to slap Floyd on the back but the big man danced away, handing the bottle back as he moved.</p>
<p style="text-align: justify;">“What she mean by a ‘Mardi Gras theme,’ anyway?” Floyd said.</p>
<p style="text-align: justify;">Tommy shrugged. “As long as they got free drinks and blackjack I don’t much care.”</p>
<p style="text-align: justify;">Seagulls screamed overhead. Floyd saw his reflection scowling in the window of a parked Humvee. He went to New Orleans during Mardi Gras when he was in the Navy, how many years ago? He got lost and someone stole his wallet. A man dressed as a woman tried to put beads around his neck, he remembered. You could have your Mardi Gras.</p>
<p style="text-align: justify;">Marcy was among the first of the women to enter the casino and the air conditioning hit her like a cold wave. “Good thing I remembered my shawl!” she said but no one answered. The music and the sound of the slot machines, dinging and ringing with sirens going off every five minutes as if some crime was being committed, swallowed her voice.</p>
<p style="text-align: justify;">Marcy had thought to bring rolls of quarters and silver dollars. While the other ladies were getting change she was already pouring her silver into a red plastic cup provided to her by a girl in the shortest skirt she had ever seen.</p>
<p style="text-align: justify;">“You must be freezing!” Marcy said but the girl didn’t seem to hear her. Maybe she just got tired of people trying to talk to her.</p>
<p style="text-align: justify;">The slots area had thousands of machines and at noon it was already half filled, mostly old timers like her and Floyd. He and Tommy had set off in the other direction like there was a sign saying ‘Men, That Way.’ The carpets were in a pattern of red and orange and gold that reminded her of a kaleidoscope and the ceiling was made up to look like stained glass, though she knew real stained glass when she saw it and this wasn’t it. She felt like if she didn’t sit down she might just fall into the colors. She sat down at a quarter machine and began feeding it. She didn’t know where the other ladies had gone and looking over her shoulder left her none the wiser.</p>
<p style="text-align: justify;">“Y’all gonna have to find me,” she said and as if summoned a different lady in a short skirt appeared.</p>
<p style="text-align: justify;">“How you doing today?” she said. She had a tray filled with drinks and a notepad tucked into her belt. “Can I get you something to drink?”</p>
<p style="text-align: justify;">“Well I suppose you can!” Marcy turned in her chair to show her appreciation. “My name’s Marcy by the way, I come here from Brooklyn with a bunch of folks from my church group.”</p>
<p style="text-align: justify;">“Now isn’t that nice? My name’s Kim Sue. What can I get you?”</p>
<p style="text-align: justify;">Marcy smiled and opened her mouth. But she could not think of the names of any drinks, not just the fancy ones but any drink. She felt a trickle of sweat run down her back underneath her blouse.</p>
<p style="text-align: justify;">“It’s funny,” she said, embarrassed. “My mind’s just a blank today.”</p>
<p style="text-align: justify;">“Sure, no problem!” Kim Sue smiled back at her like one of those Chinese dolls, her name right there on her badge. “We have beer and wine and soda and mixed drinks.” She kept smiling at Marcy and continued. “I could make you a nice white wine spritzer, if you like.”</p>
<p style="text-align: justify;">“Oh, that sounds nice,” said Marcy, and it did sound nice, like a sprinkler in the summer time, the kind the boys used to play in. Kim Sue left and Marcy returned to the machine. Cherries and plums rolled past, never stopping at the same time.</p>
<p style="text-align: justify;">Eric used to chase Wilson through the sprinklers in the park and sometimes when Marcy wasn’t looking he would hold his little brother down and try to pull off his shorts in front of all the other children. She would get so mad at him, always teasing like that, knowing it would make Wilson cry and come looking for her, but she had a job then, looking after a little white boy named Oskar whose parents lived in Park Slope and worked all the time. Oskar’a parents didn’t mind too much when she brought her boys with her when she took him to the park. “As long as you remember,” the father said, “that Oskar is your first priority.”</p>
<p style="text-align: justify;">Well of course he is, mister doctor man! Why would my own flesh and blood come before your little prince? Good gracious, the things that man would say. If the wife heard him she would weigh in and try to soften the blow. “What my husband means is that we don’t want you to get too distracted. Three children is a handful.”</p>
<p style="text-align: justify;">Now that was the kind of thing only a white person would say. Where she came from three children was just getting started, even if she was done after Wilson, something her own mother could never understand.</p>
<p style="text-align: justify;">“Oh, don’t worry, ma’am,” Marcy would say. “I won’t ever let Oskar out of my sight.”</p>
<p style="text-align: justify;">All these people thinking someone was going to steal their child then, like the whole country had gone crazy. Soon they’d be putting their pictures on milk cartons and billboards and on TV during the news – “Have you seen Brandon?” Usually white kids. If a black kid went missing generally people know who took him.</p>
<p style="text-align: justify;">“Here you go, ma’am.”</p>
<p style="text-align: justify;">Kim Sue was back with her drink. It was in a big plastic cup with a straw that went in curlicues, like a roller coaster, like this was for a child. She started fishing in her coin cup.</p>
<p style="text-align: justify;">“Drinks are complimentary, ma’am.”</p>
<p style="text-align: justify;">Like I didn’t know that. She pulled out a Susan B. Anthony and put it on her tray. “That’s for you,” she said.</p>
<p style="text-align: justify;">“Very nice of you, ma’am. And if you need anything else you just let me know.”</p>
<p style="text-align: justify;">She turned to leave and Marcy was afraid to see her go. “Kim Sue, it’s like your momma gave you two names.”</p>
<p style="text-align: justify;">“Kim is my family name. Family name comes first in Korean.”</p>
<p style="text-align: justify;">“Is that right?” said Marcy. “Well I think family should come first, don’t you?”</p>
<p style="text-align: justify;">“Yes, ma’am.”</p>
<p style="text-align: justify;">Marcy thought that was something else she should write in her book but realized that she hadn’t brought it with her, and then forgot what she had said. “But they probably don’t spell it like that in Korea, do they? The Sue, I mean.”</p>
<p style="text-align: justify;">“No, ma’am, we have a different alphabet.”</p>
<p style="text-align: justify;">“Now isn’t that something?”</p>
<p style="text-align: justify;">She was balancing a tray full of drinks while she talked to Marcy so she let her go, disappearing into the big Tiffany lamp around them. A band was playing Dixieland and Marcy strained her eyes to see them. The music seemed to be coming from everywhere at once, “When the Saints Come Marching In.”</p>
<p style="text-align: justify;">“Let me tell you another,” she said, sipping on her drink. The lady at the machine next to her looked at Marcy and then moved away, taking her quarters with her. She watched as the drink spun up the straw when she sucked. Here we go loop de loop.</p>
<p style="text-align: justify;">Sometimes Eric would help her push the stroller as they went around the park, and Wilson would run so far ahead she would shout after him. “Don’t go where I can’t see you!” she’d holler, and Oskar, too big to be pushed around in a stroller, would try and stand up and yell after her. “Go where I can’t see you!”</p>
<p style="text-align: justify;">Wilson would hide like that at home as well; hide so good she couldn’t find him sometimes. They were living in Prospect-Lefferts, more house than they needed but you could afford those big limestone buildings then even on a Con Ed salary and Wilson would go into different rooms and be so quiet that she would get hysterical, be practically beside herself by the time her husband got home. Then they would hear him laughing. “Got you!” he would say and emerge from the cupboard or from behind the sideboard and Floyd would get so mad. That one time he came out of her closet wearing her bra and Floyd just about went crazy; took off his belt and chased him.</p>
<p style="text-align: justify;">She put in a coin and pulled the lever: a watermelon; a bell; the number seven in gold.</p>
<p style="text-align: justify;">“What numbers are you playing today?”</p>
<p style="text-align: justify;">She turned her head but nobody was there. Who had spoken? Just turning her head made the colors around her move and when she looked at the floor she saw the pattern there was moving too. It was like a flying carpet, the Vale of Cashmere –</p>
<p style="text-align: justify;">The Vale of Cashmere! That was the name of that strange corner of the park where she took the boys now and then. They were getting older; other boys took the place of Oskar, and Eric got too big to want to be with them. But Wilson kept her company as she made the rounds, bought them ice cream and wiped their sticky hands. People used to call it The Swamp and there was a muddy pond okay and some hanging trees.</p>
<p style="text-align: justify;">“How come you don’t play with boys your own age?” one of the kids had asked him once.</p>
<p style="text-align: justify;">“I just like to help my momma,” he’d said.</p>
<p style="text-align: justify;">He was the one who found out the real name of The Swamp, checked an old book out of the library and showed her on the map. There was a poem that went with it and Wilson stood up by the pond and put one finger in the air as he read: “Who has not heard of the Vale of Cashmere/With its roses the brightest the earth ever gave?”</p>
<p style="text-align: justify;">Another babysitter saw them by the pond once and came over to warn them. “You shouldn’t be down in there,” she said, afraid to come too close with her stroller in front of her. “They say men get together down there.”</p>
<p style="text-align: justify;">And after that Marcy noticed them, lurking about, standing in the trees. Once when she came down with Wilson and a stroller two men ran out, going in different directions.</p>
<p style="text-align: justify;">She didn’t think about it again for years, until Wilson was grown and still living at home, and he came back one night that first time with his face all bloody, drunk or high on something and smiled at her, blood on his teeth.</p>
<p style="text-align: justify;">“Hey, Momma, I been to the Vale of Cashmere!”</p>
<p style="text-align: justify;">That’s when Floyd said no more.</p>
<p style="text-align: justify;">“What numbers are you playing today?”</p>
<p style="text-align: justify;">She turned and the colors whooshed like a scarf being wrapped around her head. She saw her this time, a little woman, no bigger than a dragonfly like the ones the boys chased in the park, Wilson would put them in a jar with holes punched in the top, while Eric tried to cover it up with his hand so they would smother.</p>
<p style="text-align: justify;">“I’m looking for three sevens,” Marcy said to the dragonfly woman. “Are there some other numbers to play?”</p>
<p style="text-align: justify;">“That is the question, isn’t it?” said the faerie. “Are there other numbers to play?”</p>
<p style="text-align: justify;">And then she flew away, just like a little hummingbird, and Marcy got up to follow her, passing into the pattern of colors and leaving her cup of coins behind.</p>
<p style="text-align: justify;">Floyd went through all his money the first hour. Not <i>all</i> his money but all the money he’d meant to spend, the money he put in his shirt pocket, seemed to fly off the table. Dealer beat him every time: if Floyd had 18, the dealer had 19; if Floyd sat on a 19, the dealer hit him with two bricks.</p>
<p style="text-align: justify;">“I guess this lady feels like she has to show us what a blackjack looks like,” said Tommy, when the dealer drew her third in ten minutes. She apologized to them both, even though they didn’t tip her, and Tommy’s luck was better than hers: He doubled down twice and made a hundred bucks in the blink of an eye. All Floyd could do, once he had spent the money he had earmarked for this outing, was sit there and simmer in his resentment while Tommy’s chip pile grew.</p>
<p style="text-align: justify;">That was when Helen, the lady in the purple pantsuit, came and asked if he knew where Marcy was.</p>
<p style="text-align: justify;">“I thought she was with you,” said Floyd. It came out like an accusation.</p>
<p style="text-align: justify;">“Well, we agreed to meet for lunch at three,” she said, “but then nobody could find Marcy. We figured maybe you two went off together.”</p>
<p style="text-align: justify;">And that’s how well you know us, Floyd thought. “Maybe she just went off to another casino by herself,” he said. Even though he was losing, and wasn’t even playing at the time, he didn’t want to have to leave his spot and go look for his wife. “There’s no law says we got to stay here.”</p>
<p style="text-align: justify;">“Blackjack,” said the dealer, flipping another ace.</p>
<p style="text-align: justify;">But after a minute he did get up to look, as he knew he would, leaving Tommy, who still had a hot hand and no doubt wondered what all the fuss was about.</p>
<p style="text-align: justify;">“Did you try the ladies room?” he asked Helen.</p>
<p style="text-align: justify;">“That was one of the first places we looked. They have sofas in there, you know.” She paused. “Do you think we should call security?”</p>
<p style="text-align: justify;">The suggestion made his blood pressure rise. “No, I don’t think we should call security. Christ sake, grown woman goes off for a few minutes and you want to call the cavalry?”</p>
<p style="text-align: justify;">“Does she have a cell phone?”</p>
<p style="text-align: justify;">“Our son gave her one but she couldn’t figure out how to use it.” This was literally half true: Eric had given them each one last Christmas, and neither of them could figure out how to use it. By the time Floyd got the hang of it he realized that the only person he would call was his wife, which was kind of stupid since he saw her all the time anyway.</p>
<p style="text-align: justify;">They looked all the places that they had already looked and the lady in the Kente cloth joined them, acting more concerned that Floyd felt. “We need a system,” she said, as they circled the room for the second time. The place was more crowded than ever and Floyd could hardly hear what she was saying. “How about I go stake out the buffet and you stay here?” she suggested to Helen.</p>
<p style="text-align: justify;">“How ‘bout <i>I</i> go stake out the buffet?” Helen said. “I haven’t had lunch yet.”</p>
<p style="text-align: justify;">Floyd said they could both go feed themselves and take their time doing it; Marcy would turn up. He stood like a sentinel beneath the bells and sirens of the Mardi Gras slots, scowling most of the time. He hated slot machines; there was no sport in it, as he often told his wife. Blackjack at least you were playing the odds. Slots to him was just dumb luck, like a rabbit betting it wouldn’t get run over when it ran across the road. Twice he thought he saw his wife, and each time he took pleasure in anticipating just how much grief he was going to give her. But each time he was wrong.</p>
<p style="text-align: justify;">By four o’clock they were back together, Tommy too, and they began to set out in search parties. They were a small group: most of the travelers didn’t want to leave their stations, since the bus was scheduled to leave at six and this whole business had already cut into their time as it was. The lady in the Kente cloth, who finally introduced herself as Niobe, took charge. She contacted the hotel security, who seemed to have some experience with old folks wandering off, and as the witching hour neared, and the day-trippers started heading back toward the bus, she went out and argued with the bus driver, who was pretty adamant about leaving on time.</p>
<p style="text-align: justify;">“You can’t just go off and leave an old lady alone,” she scolded him. The engine was already running, gently shaking the bus, while the AC gusted out the door in heavy welcoming breaths.</p>
<p style="text-align: justify;">“I won’t be leaving her alone,” the driver said. “I will be leaving you to find her.”</p>
<p style="text-align: justify;">He agreed to wait as they made one last search. A handful of them fanned out, going to neighboring casinos and restaurants, off the boardwalk and into the side streets. Floyd couldn’t help but think that Marcy was messing with him the whole time, and when he saw the impatient faces of the other folks on the bus – they’d lost their money and had their fill, they just wanted to go home – he couldn’t help but side with them.</p>
<p style="text-align: justify;">Most of the people he saw as he wandered were wearing shorts and T-shirts. Used to be people would get dressed up to go someplace. And when did everybody get so fat? Walking down the boardwalk, bag of French fries in your hand, what did you expect? The new motto for the city was “Always Turned On,” which he found kind of creepy. There was nothing that he saw that turned him on.</p>
<p style="text-align: justify;">Doors were open, air conditioning blasting out, cooling nothing. Floyd took to popping into places and doing a quick look around, not even asking half the time if they’d seen anyone who looked like his wife. One, they couldn’t hear you with all that noise and two, half of them couldn’t speak English.</p>
<p style="text-align: justify;">“You seen an old black lady?” he shouted at one girl scooping ice cream. Her nails were so long he figured they might end up in somebody’s cone. “Blue shirt, about this high?” She stared at him like he was the one with the language problem.</p>
<p style="text-align: justify;">He kept walking. Going in and out of the summer sun was making him dizzy, to say nothing of thirsty. He wished for the first time that Tommy was with him. That man would always stop for a drink. He saw people in those rolling chairs, being pushed by young people, girls sometimes. And you wonder why you so fat?</p>
<p style="text-align: justify;">Down at one end of the boardwalk he found what looked like a real bar. The crowd had trickled off as the sun sank lower in the sky. Go on, get out of here. A lot of good you been. Floyd ducked inside and felt the rivers of sweat roll out from under his hat and chill on his face and neck. His glasses steamed as he took a seat at the bar and ordered a gin and tonic. He perched on the stool and looked up at the game on TV. The waitress brought him his drink and man did that taste good. No skimping on the gin, either. He forgot to ask her about Marcy. His wallet was bothering him, he felt like he was balancing on it. When she asked him if he wanted to start a tab he simply nodded.</p>
<p style="text-align: justify;">“You got a phone?” She pointed to an old-fashioned booth in the back, kind Superman used to change in. The place was filling up, young couples waiting for dinner. Went back to the hotel to put your dress shorts on? Once inside the paneled wood booth he forgot who he was going to call. Eric, right. He searched the scraps of paper in his wallet for the number he never had cause to memorize and let it ring, go to voicemail, and then dialed again.</p>
<p style="text-align: justify;">“Hello?”</p>
<p style="text-align: justify;">“This ain’t no telemarketer.”</p>
<p style="text-align: justify;">“Hey, Pop.” He did not sound happy to hear from him and Floyd had already put enough change in the machine so he cut straight to the point.</p>
<p style="text-align: justify;">“We in Atlantic City and your mother’s gone missing.” He backtracked from there, explaining the whole afternoon in greater detail than Eric needed, but never did his son sound any more excited than Floyd felt. He asked the obvious questions – had they called the police? Who else was looking?</p>
<p style="text-align: justify;">“Did she have her cell phone?” he asked, pointedly.</p>
<p style="text-align: justify;">“That’s why I was calling,” Floyd said. “I figured maybe she’d called you.”</p>
<p style="text-align: justify;">Eric was silent, and Floyd knew that he knew he was lying. He imagined him at home, still in his work clothes, the sound on the TV muted, his eyes on the game. From his perch in the booth Floyd could see the TV over the bar. Jeter was trying to steal.</p>
<p style="text-align: justify;">“I’m sure she’ll turn up, Pop. I mean, where’s she gonna go?”</p>
<p style="text-align: justify;">“I know that.”</p>
<p style="text-align: justify;">“You got your cell phone with you? So I can call you if she does?”</p>
<p style="text-align: justify;">Floyd muttered something and got off the phone. That boy would go to his grave asking about those damn phones. He should just wrap them up and give them back to him for Christmas. Turn ‘em into salt-and-pepper shakers.</p>
<p style="text-align: justify;">When he got back to his seat at the bar Jeter got picked off and he ordered another drink. Now they could send the search party out for him. The tumblers were tall and when he turned in his seat he found he had company. Big old white dude with long hair and a pointed beard. He was sipping a Budweiser longneck and looking at the screen. His arms were covered in tattoos; dragons, snakes and skulls disappeared into his shirtsleeves.</p>
<p style="text-align: justify;">“Fuckin’ Yankees,” he said and turned to look at Floyd. “Nice hat.”</p>
<p style="text-align: justify;">Floyd turned to face his own reflection in the mirror behind the bar. “You wouldn’t believe how long I had this hat,” he said.</p>
<p style="text-align: justify;">“There isn’t much I wouldn’t believe,” the man said.</p>
<p style="text-align: justify;">They got to talking. Turned out he worked in a tattoo parlor on the boardwalk, which explained all the ink. Half way through his second drink and Floyd was feeling generous in his opinions.</p>
<p style="text-align: justify;">“Back in the day,” he said, “man had a tattoo it meant he’d been someplace. In the service, in the joint, you know.”</p>
<p style="text-align: justify;">“I hear you,” the man said. “These days it just means you been to the mall.” He drained his beer and held up the empty. “Buy you a drink?”</p>
<p style="text-align: justify;">“Let me buy you a drink,” said Floyd, and pulled out the fat wallet that had been giving him such a pain and laid it on the counter. Soon he had the pictures out and was showing him snaps of Eric, bragging on his job even if he wasn’t exactly sure what he did. Then one of the whole family, when everyone was young.</p>
<p style="text-align: justify;">“Where’s your other boy?” the stranger asked.</p>
<p style="text-align: justify;">Floyd made a face like he was sucking on a lime. “Wilson got killed in a hold-up ten years ago,” he said.</p>
<p style="text-align: justify;">“Oh, man, I am sorry. They catch the guy who did it?”</p>
<p style="text-align: justify;">“No, it was in Prospect Park one night. Lot of crime in there.”</p>
<p style="text-align: justify;">“That’s why I could never live in the city,” the man said, which struck Tommy as funny. Most people would be scared of him, even in Brooklyn.</p>
<p style="text-align: justify;">“So what happens when folks get old?” said Floyd, changing the subject. “Maybe they don’t want all those tattoos any more.”</p>
<p style="text-align: justify;">“Shit, you don’t have to wait ‘til your old to regret something stupid you did.” The man laughed and Floyd got a glimmer of a gold tooth in his head. “People come in all the time wanting to have tattoos taken off, usually the name of some girl that don’t love them anymore.”</p>
<p style="text-align: justify;">“Can you do it?”</p>
<p style="text-align: justify;">“Sure,” the man said. “Hurts like hell and costs twice as much. But we can do it. Easier just to change it, though.”</p>
<p style="text-align: justify;">“How do you mean?”</p>
<p style="text-align: justify;">“Well, there was this one girl who loved a guy named Chris and had it tattooed on her ass. Until she found Jesus and then we just added a ‘T’.”</p>
<p style="text-align: justify;">He didn’t smile at first and it took Floyd a minute to figure it was a joke. He smiled first. “Hey, I got one,” he said. The stranger’s eyes gleamed in anticipation. “There was this guy who loved this old girl so much he had her name tattooed on his Johnson.”</p>
<p style="text-align: justify;">“Now that’s gotta hurt!”</p>
<p style="text-align: justify;">“Hell, yeah.” Floyd wiped his mouth. “Then they broke up, you know, and soon he started missing her real bad. So he went all over looking for her, from Wisconsin all the way down to Jamaica. Then he’s in the bathroom one day and he looks over and he sees this other guy’s dick.” He stopped for a minute. The stranger kept staring at him. “Now I can’t remember that girl’s name.”</p>
<p style="text-align: justify;">“Is it important?”</p>
<p style="text-align: justify;">“Yeah, it’s the whole punch line.”</p>
<p style="text-align: justify;">“Uh, oh. Better have another drink.”</p>
<p style="text-align: justify;">He felt flushed and excused himself to go to the bathroom. There he stared straight ahead at the wall and read all the graffiti as if looking for a message. And by the time he got back to the bar he was not surprised to see the stranger was gone and with him his wallet though all Floyd could feel was a keen sense of disappointment: He remembered the end of the joke now. He had remembered that old girl’s name.</p>
<p style="text-align: justify;">______________________</p>
<p><img decoding="async" class="size-full wp-image-114 alignleft" src="https://harvardsquareedition.com/wp-content/uploads/2013/02/voice_from_the_planet.jpg" alt="voice from the planet" width="154" height="234" /></p>
<p style="text-align: justify;">&#8216;Vale of Cashmere&#8217; was first published by Harvard Square Editions in <a href="http://www.amazon.com/gp/product/B00BG7RPCM/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B00BG7RPCM&amp;linkCode=as2&amp;tag=harvsquaedit-20" target="_blank"><em>Voice from the Planet,</em> FREE from March 30 &#8211; April 3, 2017 at Amazon </a><a href="https://www.amazon.com/Voice-Planet-Carlos-Victoria-ebook/dp/B00BG7RPCM/ref=sr_1_1_twi_kin_1?ie=UTF8&amp;qid=1490859484&amp;sr=8-1&amp;keywords=voice+from+the+planet+degelman" target="_blank">Kindle US</a><a href="http://www.amazon.com/gp/product/B00BG7RPCM/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B00BG7RPCM&amp;linkCode=as2&amp;tag=harvsquaedit-20" target="_blank">, and </a><a href="https://www.amazon.co.uk/Voice-Planet-Carlos-Victoria-ebook/dp/B00BG7RPCM/ref=sr_1_1_twi_kin_1?ie=UTF8&amp;qid=1490859521&amp;sr=8-1&amp;keywords=voice+from+the+planet+degelman" target="_blank">Kindle UK</a><a href="http://www.amazon.com/gp/product/B00BG7RPCM/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B00BG7RPCM&amp;linkCode=as2&amp;tag=harvsquaedit-20" target="_blank"> among others.</a> Sean Elder’s writing has appeared in the New York Times Magazine, National Geographic, New York Magazine, Salon, Slate, Vogue, Elle, Men’s Journal, Men’s Health, O: The Oprah Magazine, Gourmet, Food &amp; Wine, Details and many other publications. The essay he contributed to the collection of men’s writings The Bastard On the Couch (Morrow, 2004) was reprinted on three continents; his essay on ecstasy, included in the collection of drug writings entitled White Rabbit (Chronicle Books, 1995) was called “seminal” by Granta; and a piece he wrote about being a stay-at-home dad for Oprah was included in her best of O collection, Live Your Best Life (Oxmoor, 2005). He has co-authored several books, including Websites That Work with designer Roger Black (Adobe Press, 1997) and Mission Al Jazeera with former Marine captain Josh Rushing (Palgrave, 2007). He also works as a book doctor and helped edit the forthcoming Making Rounds with Oscar by Dr. David Dosa (Hyperion, 2010). He lives in Brooklyn, New York with his wife and daughter.</p>
<p>The post <a href="https://harvardsquareedition.com/the-vale-of-cashmere/">The Vale of Cashmere</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>The Last Reprise</title>
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		<pubDate>Thu, 25 Jul 2024 04:09:22 +0000</pubDate>
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					<description><![CDATA[<p>&#160; &#160; This is the way the world tends This is the way the world rends not with a song but a simper as wild men swagger in murderous jaunt and the meek subside to whimper * The high potentates the big nation states brought us to this pass scorching the earth to penurious dearth [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/the-last-reprise/">The Last Reprise</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>&nbsp;<br />
<em><br />
This is the way<br />
the world tends</p>
<p>This is the way<br />
the world rends</p>
<p>not with a<br />
song</p>
<p>but a<br />
simper</em></p>
<p>as wild men<br />
swagger</p>
<p>in murderous<br />
jaunt</p>
<p>and the<br />
meek<br />
subside</p>
<p>to whimper</p>
<p>*</p>
<p>The high<br />
potentates</p>
<p>the big nation<br />
states</p>
<p>brought<br />
us<br />
to this pass</p>
<p>scorching the<br />
earth</p>
<p>to penurious<br />
dearth</p>
<p>morphing<br />
live flesh<br />
to grass</p>
<p>*</p>
<p>Mined pole<br />
to pole</p>
<p>tainted fresh<br />
lakes<br />
whole</p>
<p>the blight goes<br />
on and<br />
on</p>
<p>till no<br />
life<br />
left</p>
<p>the<br />
planet is<br />
reft</p>
<p><em>and all that<br />
is good<br />
is gone</p>
<p>and all that<br />
is good<br />
is gone</em></p>
<p>*</p>
<p>This is the<br />
way<br />
the world tends</p>
<p>this is the<br />
way<br />
the world rends</p>
<p>we&#8217;re close<br />
as close<br />
can be</p>
<p>it&#8217;s the<br />
Path</p>
<p>that<br />
Portends</p>
<p>it&#8217;s the Arc<br />
that<br />
Bends</p>
<p>points to<br />
what we all<br />
can see</p>
<p><em>we are<br />
what<br />
we are</p>
<p>been<br />
all we<br />
could be  </p>
<p>&#8216;twixt the<br />
darkling<br />
devil</p>
<p>and<br />
the deep<br />
blue sea</em></p>
<p>*</p>
<p>&#8216;Tis the End<br />
of<br />
the Trail</p>
<p>all Gambits<br />
now<br />
fail</p>
<p>in midst of<br />
the<br />
gale</p>
<p>we&#8217;re losing<br />
our<br />
sail ?</p>
<p>alack<br />
for woe<br />
is me</p>
<p><em>yes alas<br />
for woe<br />
is me</em></p>
<p>*</p>
<p>It&#8217;s the<br />
last<br />
sunrise</p>
<p>never again<br />
to be</p>
<p>what&#8217;s  left<br />
is but</p>
<p>dross<br />
and diablerie</p>
<p>*<br />
<em><br />
For lorn is<br />
the<br />
hunter </p>
<p>high on<br />
the<br />
hill</p>
<p>and  lost<br />
is </p>
<p>the sailor<br />
at  sea</em><br />
&nbsp;<br />
<strong>[© R.Kanth 2024]</strong></p>
<p>&nbsp;</p>
<p><strong>Professor Rajani Kanth, is Author of <em> <strong>Coda</strong></em> (A Novel), <em>A Day in the Life </em>(Novel), <em>Expiations</em> (Verse), and <em>Farewell to Modernism </em>(Political Economy Tract).</strong></p>
<p>The post <a href="https://harvardsquareedition.com/the-last-reprise/">The Last Reprise</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<item>
		<title>Fifth of July</title>
		<link>https://harvardsquareedition.com/fifth-of-july/</link>
					<comments>https://harvardsquareedition.com/fifth-of-july/#respond</comments>
		
		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Wed, 03 Jul 2024 23:12:44 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14263</guid>

					<description><![CDATA[<p>&#160; Cheers of glory start to fade all too very soon here lie the brave defenders there bold attackers swoon their ploys forever gone for good quiet seethes the eerie plain where once horse and hero stood and where now all are slain and the good that came of it becomes part of legerdemain &#160; [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/fifth-of-july/">Fifth of July</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>Cheers of<br />
glory<br />
start to fade </p>
<p>all<br />
too  very<br />
soon</p>
<p><em>here lie<br />
the brave<br />
defenders</p>
<p>there<br />
bold attackers<br />
swoon</em></p>
<p>their ploys<br />
forever<br />
gone for<br />
good</p>
<p>quiet seethes<br />
the eerie<br />
plain</p>
<p>where  once<br />
horse and  hero<br />
stood</p>
<p>and where now<br />
all are<br />
slain</p>
<p>and the good<br />
that came<br />
of it</p>
<p>becomes<br />
part of<br />
legerdemain<br />
&nbsp;<br />
*<br />
&nbsp;<br />
So rally strong<br />
if<br />
you  so  choose</p>
<p>and hail<br />
the hallowed<br />
day</p>
<p><em>the living<br />
ever the<br />
winners of war</p>
<p>&#8217;tis the dead<br />
who always<br />
lose</em><br />
&nbsp;<br />
*<br />
&nbsp;<br />
On the Fourth<br />
sing we<br />
of victory</p>
<p>of leaders<br />
and the<br />
led</p>
<p>on the Fifth<br />
we look </p>
<p>at the<br />
bloody field</p>
<p>and  mourn<br />
the guiltless<br />
dead<br />
&nbsp;<br />
*<br />
&nbsp;<br />
<em>So scale<br />
the loss<br />
of countless lives</p>
<p>and  mourn<br />
the guiltless<br />
dead</em><br />
&nbsp;<br />
<strong>[©R.Kanth 2024]</strong></p>
<p>&nbsp;</p>
<p><strong>Professor Rajani Kanth, is Author of <em> <strong>Coda</strong></em> (A Novel), <em>A Day in the Life </em>(Novel), <em>Expiations</em> (Verse), and <em>Farewell to Modernism </em>(Political Economy Tract).</strong></p>
<p>The post <a href="https://harvardsquareedition.com/fifth-of-july/">Fifth of July</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<item>
		<title>The Old School</title>
		<link>https://harvardsquareedition.com/the-old-school/</link>
					<comments>https://harvardsquareedition.com/the-old-school/#respond</comments>
		
		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Mon, 01 Jul 2024 18:51:38 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14234</guid>

					<description><![CDATA[<p>&#160; You have no mortal enemy , but time &#160; Stopping by the Old School &#160; &#160; Look around now where did it all go yesteryear’s laughter last winter’s snow? &#160; * &#160; doesn’t seem real now but you’ve been there before all so unreal now once favored haunts only mere spaces now favored no [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/the-old-school/">The Old School</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;<br />
<em>You have no mortal enemy , but time</em><br />
<strong></p>
<p>&nbsp;<br />
Stopping by the Old School</strong><br />
&nbsp;</p>
<p>&nbsp;<br />
Look around<br />
now</p>
<p>where did it<br />
all<br />
go</p>
<p>yesteryear’s<br />
laughter</p>
<p>last winter’s<br />
snow?</p>
<p>&nbsp;<br />
*<br />
&nbsp;<br />
doesn’t seem<br />
real<br />
now</p>
<p>but you’ve<br />
been there<br />
before</p>
<p>all so<br />
unreal<br />
now</p>
<p>once<br />
favored<br />
haunts</p>
<p>only mere<br />
spaces<br />
now</p>
<p>favored<br />
no more</p>
<p><em>where once<br />
you took<br />
your chances</p>
<p>in surreptitious<br />
glances</p>
<p>in bashful<br />
romances</p>
<p>and late<br />
midnight<br />
dances</em></p>
<p>&nbsp;<br />
*<br />
&nbsp;<br />
many  that<br />
betrayed<br />
you</p>
<p>few that<br />
were<br />
true</p>
<p>all swept<br />
away<br />
now</p>
<p>washed<br />
off<br />
in rue<br />
&nbsp;<br />
*<br />
&nbsp;<br />
schoolyard’s<br />
full<br />
now</p>
<p>sea of<br />
new<br />
faces</p>
<p>just walked<br />
beside<br />
it</p>
<p>all the<br />
old<br />
places</p>
<p>strangers<br />
stare back<br />
at you</p>
<p>as you try<br />
to<br />
smile</p>
<p>nobody knows<br />
you</p>
<p>but you<br />
tarry<br />
a while</p>
<p>coffee mug&#8217;s<br />
tipping<br />
full</p>
<p>but your<br />
heart<br />
is  so bare</p>
<p><em>they’re where<br />
they should<br />
be</p>
<p>but why are<br />
you<br />
there?</em><br />
&nbsp;<br />
*<br />
&nbsp;<br />
the masters<br />
are<br />
new</p>
<p>they look<br />
at<br />
you oddly</p>
<p>as you<br />
wave<br />
a hand</p>
<p>you move<br />
away<br />
sadly</p>
<p>they<br />
don’t<br />
understand<br />
&nbsp;<br />
*<br />
&nbsp;<br />
there<br />
walk<br />
the lovers</p>
<p>still holding<br />
hands</p>
<p>mocked by<br />
the<br />
wastrels</p>
<p>by  the<br />
old soda<br />
stands<br />
&nbsp;<br />
*<br />
&nbsp;<br />
you walk<br />
to<br />
the doorway</p>
<p>you stop<br />
in some<br />
doubt</p>
<p><em>will she<br />
come out<br />
again</p>
<p>give  you<br />
a<br />
shout</em></p>
<p>she isn’t<br />
there<br />
now</p>
<p>where did<br />
she<br />
go</p>
<p>come<br />
away<br />
dreamer</p>
<p>you&#8217;re just<br />
fortune’s<br />
fool</p>
<p>that was<br />
long<br />
long ago</p>
<p>time is<br />
very<br />
cruel</p>
<p><em>one that  you<br />
wished<br />
now</p>
<p>you had only<br />
said</p>
<p><em>you are the<br />
only<br />
one</em></p>
<p>words<br />
left unsaid</em><br />
&nbsp;<br />
*<br />
&nbsp;<br />
<em>hardest<br />
of thoughts<br />
are</p>
<p>about what<br />
was<br />
not to be</em></p>
<p>if you had<br />
a second<br />
chance</p>
<p>to<br />
clasp<br />
fervently</p>
<p>all  that<br />
is<br />
left now</p>
<p>is to<br />
grieve<br />
silently<br />
&nbsp;</p>
<p>*<br />
&nbsp;</p>
<p>you are on<br />
your way<br />
out</p>
<p>they are<br />
walking<br />
past<br />
<em><br />
they<br />
the  living<br />
present</p>
<p>you  the<br />
shadow<br />
past</em></p>
<p>&nbsp;<br />
*<br />
&nbsp;<br />
once<br />
a happy<br />
stage</p>
<p>where you<br />
frolicked<br />
so free</p>
<p>now  all’s<br />
closed<br />
to you</p>
<p>wiped<br />
off the<br />
page<br />
&nbsp;<br />
*<br />
&nbsp;<br />
so you look<br />
one<br />
last time</p>
<p>heave a<br />
heavy<br />
sigh</p>
<p><em>not one<br />
to<br />
hear now</p>
<p>your<br />
half-lisped<br />
goodbye</em><br />
&nbsp;<br />
*<br />
&nbsp;<br />
but as<br />
you<br />
walk away</p>
<p>you hear<br />
yourself<br />
say</p>
<p><em>I once had<br />
a name<br />
here</p>
<p>I once<br />
bore a<br />
flame</em></p>
<p>burnt me<br />
full sore<br />
then</p>
<p>burns me<br />
still<br />
yet</p>
<p><em>she who<br />
won&#8217;t<br />
remember</p>
<p>I who<br />
won&#8217;t<br />
forget</em><br />
&nbsp;<br />
*<br />
&nbsp;<br />
<em> O wish she<br />
would<br />
remember</p>
<p>what I<br />
cannot<br />
forget</em>?</p>
<p>&nbsp;<br />
<strong>[©R.Kanth 2024]</strong></p>
<p>&nbsp;</p>
<p><strong>Professor Rajani Kanth, is Author of <em> <strong>Coda</strong></em> (A Novel), <em>A Day in the Life </em>(Novel), <em>Expiations</em> (Verse), and <em>Farewell to Modernism </em>(Political Economy Tract).</strong></p>
<p>The post <a href="https://harvardsquareedition.com/the-old-school/">The Old School</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>Quest</title>
		<link>https://harvardsquareedition.com/quest-2/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Mon, 01 Jul 2024 02:16:45 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14232</guid>

					<description><![CDATA[<p>(For Seekers , everywhere) There is a path to the secret heart that only One can know espying S/he is the Game of Life and has been forever so * There’s a key to the ardent heart that only One can mold in sighting lies such opulence beggars a myriad mines of gold * When [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/quest-2/">Quest</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>
(<em>For Seekers , everywhere)</em></p>
<p>There is a<br />
path<br />
to the<br />
secret heart</p>
<p>that only<br />
<em>One</em><br />
can know</p>
<p>espying S/he<br />
is<br />
the Game of<br />
Life</p>
<p>and has<br />
been<br />
forever so</p>
<p>*</p>
<p>There’s a key<br />
to the<br />
ardent heart</p>
<p>that only<br />
<em>One </em>can<br />
mold</p>
<p>in sighting<br />
lies such<br />
opulence</p>
<p>beggars<br />
a myriad<br />
mines of gold</p>
<p>*</p>
<p>When you scout<br />
that<br />
lambent path</p>
<p>and clasp<br />
that<br />
sacral key</p>
<p>you have what<br />
fusty gods<br />
might crave</p>
<p><em>rapturing<br />
beatitude<br />
and giddy<br />
felicity<br />
 </em><br />
*</p>
<p>So let<br />
ambition<br />
fail</p>
<p>and shun<br />
that holy<br />
grail</p>
<p>these be<br />
no more<br />
than just</p>
<p>wraiths<br />
of the<br />
addled mind</p>
<p><em>there’s nary a<br />
need<br />
for struggle<br />
nor strife<br />
 </em></p>
<p><strong>Seek That<br />
which you<br />
Must find</strong><em></p>
<p><strong>[©R.Kanth 2024]</strong></p>
<p>Professor Rajani Kanth, is Author of Coda (A Novel), A Day in the Life (Novel), and Expiations (Verse), and Farewell to Modernism (Political Economy Tract).</p>
<p>The post <a href="https://harvardsquareedition.com/quest-2/">Quest</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>Bridge of Sighs</title>
		<link>https://harvardsquareedition.com/bridge-of-sighs-2/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Mon, 01 Jul 2024 01:36:23 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14229</guid>

					<description><![CDATA[<p>The hoi polloi may never know that the world is built on lies so stand ever beholden bereft of true surmise * Awakening comes far too late to rise dazed in rude surprise * The Machine is Master of Deceit we’re duped before our eyes whence evil rules just everywhere and truth heart-broken dies * [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/bridge-of-sighs-2/">Bridge of Sighs</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>
The <em>hoi polloi</em><br />
may never<br />
know</p>
<p><em>that the world<br />
is built on<br />
lies</em></p>
<p>so stand<br />
ever<br />
beholden</p>
<p>bereft<br />
of true<br />
surmise</p>
<p>*</p>
<p>Awakening<br />
comes far<br />
too late</p>
<p>to rise dazed<br />
in rude<br />
surprise</p>
<p>*</p>
<p><em>The Machine<br />
is Master<br />
of Deceit<br />
 </em><br />
we’re duped<br />
before<br />
our eyes</p>
<p>whence evil<br />
rules just<br />
everywhere</p>
<p>and truth<br />
heart-broken<br />
dies</p>
<p>*</p>
<p>A few who<br />
know are<br />
banished hence</p>
<p>to grieve<br />
in stifled<br />
cries</p>
<p>banished<br />
hence<br />
to languish<br />
thence</p>
<p>on that<br />
anguished<br />
bridge of<br />
sighs</p>
<p>&nbsp;<br />
<strong>[©R.Kanth 2024]</strong></p>
<p>&nbsp;</p>
<p><strong>Professor Rajani Kanth, is Author of <em> <strong>Coda</strong></em> (A Novel), <em>A Day in the Life </em>(Novel), <em>Expiations</em> (Verse), and <em>Farewell to Modernism </em>(Political Economy Tract).</strong></p>
<p>The post <a href="https://harvardsquareedition.com/bridge-of-sighs-2/">Bridge of Sighs</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>On Racism</title>
		<link>https://harvardsquareedition.com/on-racism/</link>
					<comments>https://harvardsquareedition.com/on-racism/#respond</comments>
		
		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Tue, 07 May 2024 16:12:29 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14209</guid>

					<description><![CDATA[<p>&#160; Racism comes in many genres. I focus on its Occidental variety only because it dominates the Modern Era. In my view, which substantially differs from EM (EuroModernist) ideas, it is only an expression of our tribalist nature. On Occidental Civ : regrettably, its not even skin deep? &#160; _____________________ &#160; Though Ye do think [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/on-racism/">On Racism</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;<br />
<em><strong>Racism </strong>comes in many genres.</em></p>
<p>I focus on its <em><strong>Occidental</strong> variety</em> only because it dominates the <strong>Modern Era.</strong></p>
<p>In my view,  which substantially differs from <strong>EM</strong>  <strong>(EuroModernist</strong>) ideas,  it is only an expression of our <em><strong>tribalist </strong></em>nature.</p>
<p><strong>On Occidental Civ :  regrettably, its not even <em>skin deep</em>?</strong><br />
&nbsp;<br />
_____________________<br />
&nbsp;<br />
Though<br />
Ye<br />
do think</p>
<p>that in<br />
God&#8217;s<br />
Plan</p>
<p><em>&#8220;though Adam<br />
delved</p>
<p>and Eve<br />
span&#8221;<strong>**</strong></em></p>
<p>You were<br />
placed<br />
aloft</p>
<p><em>The House<br />
Of<br />
(wo)Man</em></p>
<p>yet I<br />
can<br />
swear</p>
<p><em>dig deep<br />
enough</em></p>
<p>&lt;strong<em>&gt;<strong>We are<br />
equal<br />
pale</p>
<p>beneath<br />
the tan</strong>;</em>/strong&gt;<em><br />
&nbsp;<br />
<strong>** </strong><em>John Ball, 1381, English Priest and rabble-rouser who said : &#8220;When Adam delved and Eve span, who was then the gentleman?&#8221;</em></p>
<p>&nbsp;<br />
<strong>[©R.Kanth 2024]</strong></p>
<p>&nbsp;</p>
<p><strong>Professor Rajani Kanth, is Author of <em> <strong>Coda</strong></em> (A Novel), <em>A Day in the Life </em>(Novel), <em>Expiations</em> (Verse), and <em>Farewell to Modernism </em>(Political Economy Tract).</strong></p>
<p>&nbsp;</p>
<p>The post <a href="https://harvardsquareedition.com/on-racism/">On Racism</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>The Mythical World</title>
		<link>https://harvardsquareedition.com/the-mythical-world/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Sun, 05 May 2024 00:07:16 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14186</guid>

					<description><![CDATA[<p>&#160; We are, amongst other things, Myth-Making Animals. EM (European Modernism) adds even more powerful, if still delusionary, myths. You know. Free Market. Communism. Rules-based International Order. Serious myths. Myths to kill and die for. Not just political myths. Religious, social, cultural. And they keep us all in stark tensions. Verifiable facts rarely enter into [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/the-mythical-world/">The Mythical World</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p><strong>We are, <em>amongst other things</em>, Myth-Making Animals.</strong></p>
<p><strong>EM (European Modernism)</strong>  adds even more powerful, if  still delusionary,  myths.</p>
<p>You know.</p>
<p><em><strong>Free Market.<br />
Communism.<br />
Rules-based International Order.<br />
</strong></em></p>
<p><em>Serious myths.<br />
Myths to kill and die for</em>.</p>
<p>Not just <em>political</em> myths.<br />
<em>Religious,  social, cultural</em>.<br />
And they keep us  all  in stark  tensions.</p>
<p><strong>Verifiable facts rarely enter into it.</strong><br />
Be it religious, or political..<br />
<em>Mind, oft Big Myths  are built on tiny  kernels of quasi-facts.</em><br />
Gives them that  touch of verisimilitude.</p>
<p><em>The  Struggle over Facts is but  a mild, humdrum, tepid, affair.<br />
The Clash of Myths , however, takes on aspects of  a heart-pounding  Steven Spielberg drama</em></p>
<p><strong>So many conflicts of our time stem from faulty epistemics and/or misread ontologies.</strong></p>
<p><strong>We appear prone to embracing belief systems?</strong><br />
The more complex  , and stratified,  the system , the bigger its myths.</p>
<p><strong>EM</strong>, <em>e.g,</em>  is (over)laden with them.<br />
You learn them in grade school.</p>
<p><strong>Democracy, equality, <em>et. al.</em></strong></p>
<p>The earlier they get you, the stronger they persist.</p>
<p>Which is why religions also &#8216;catch them young&#8217;.<br />
<strong>Before they can think.</strong></p>
<p>The issue is not whether such idylls (esp political)  are <strong>desirable</strong>,  or not.</p>
<p>The issue is whether they are <strong>achievable</strong> or not.<br />
This latter consideration  rarely enters the picture.</p>
<p><strong>We get  swept away  by  the draw of the former temptation,</strong></p>
<p><strong>It&#8217;s a bit like romantic love.</strong><br />
<em>It is both real and illusory.</em><br />
The ego-displacement it provokes &#8211; which sustains it &#8211;  rarely lasts long?<br />
<em>But it thrills in the extant phase.</em></p>
<p><strong>To an extent,  all the above are <em>Affectations.</em></p>
<p>They are <em>Wilful Embraces of the Improbable</em>.</strong></p>
<p><strong><strong>But there is a real world.</strong></p>
<p><em>Wherein affections are real,  and instinctual</em>.</p>
<p>The bonds between children and parents, between siblings, <em>et. al</em>.</p>
<p><em><strong>Communal bondings</strong> are also innate, like <strong>tribal </strong>loyalties <em>(what is termed, e.g., <strong>racism </strong>is really tribalism, at heart</em>).</em></p>
<p>These are <em>natural,</em> not societally,  concocted.</strong></p>
<p>Of course,  they too can crumble,  if we so choose.</p>
<p><strong>Not much can survive,  outside of our Wills.</strong><br />
<em>But they can  also last forever, if we let them.</em></p>
<p><strong>The point of this is to suggest we need to be a bit  more vigilant about our own pet myths.</strong><br />
Makes for mutual, co-respecting,  safety?<br />
For they can, at the limit, endanger, our personal,  and collective,  existence.<br />
<em>The above is not a hypothetical, btw.</em></p>
<p><em>Of course, one can indulge in  a life of  pure fantasy, in the merry concoction of <strong>notional states of being</strong>, if that&#8217;s one&#8217;s yen.</em></p>
<p><strong>Why not?</strong></p>
<p>Could be far  more reassuring than the grim reality of life on the planet?<br />
<strong>Which should tell you, right away,  WHY we dwell in fanciful delusions of all kinds?</strong><br />
<strong>It calms  the  terror of  life  unfathomable on a lonely planet in an unscalable sea of  endless space.</strong></p>
<p><strong>Two little caveats.</strong></p>
<p>There are some myths that <em>we can’t help but believe,</em>  such as a <strong>flat earth</strong>:  <em>until science steps in</em>.</p>
<p>But others, such as tales of  angels, demons ,  or   unicorns, are <strong>plain, puerile, horsefeathers</strong><em>.</p>
<p><strong>Postface</strong></p>
<p>As I look back on a life ill-spent, perhaps my only  real interest/aptitude has lain  in the area of   <em>debunking myths. </em></p>
<p><em>Btw</em> <em>that is not a trait that wins you allies in an EM World.</em>  </p>
<p><strong><em>It upsets The Mandarins  who are the  sworn, Sacral Guardians of  our Collective Myths.</em></strong></p>
<p><strong><em>The only Antidote to Myths is Science.</em></strong></p>
<p><em><strong>It may well  be the only societal  endeavor that supports  some faith in the <em>&#8216;correctable&#8217;</em> nature of our species</strong></em></p>
<p><em>I do not  mean EM  ‘social science’ , which is only a  glib masquerade for  motivated social policy.</em><br />
<em>Its  so called social theory is bunk.</em><br />
<em>If all of  it were all to be erased,  the system would lose only a powerful <strong>arm of governance </strong>(system maintenance)</em>.</p>
<p><strong>Western Philosophy</strong> is even  worse,,  carrying pet personal peeves  to  epistemic extremes (<em>like Nietzsche , Schopenhauer , and even  Sartre</em>).</p>
<p><em>If ALL of it were to disappear,  our  useful store of  real knowledge would remain intact.</em></p>
<p><strong>So,  I mean science of the kind that gives us laws of motion , or maps the human genome.</strong></p>
<p><strong>But even Physics has its imaginings,  like its Origin Myths (The ‘Big Bang’,  etc), so one has to be careful.</strong></p>
<p><em>Even a  Stephen Hawking  can get carried away.</em></p>
<p>He once said that Physics had all but resolved  the above matter  : and I wrote to him (around 2000 ) saying that others had said such things before,  only to fall flat on their faces, in due time. </p>
<p><em>Nature flips the script when confronted by  giant human  egos?</em> </p>
<p>He did reply , thanking me,  but it  didn’t quite  ring true.</p>
<p><strong>At any rate,  there are only <em>2 Foundational Sciences: Physics and Anthropology</em>.</strong><br />
All <em>other </em>Sciences rest on them.<br />
<em>So we do need to get them right.</em></p>
<p><strong>One Last Comment.</strong></p>
<p><strong>The most ‘real’ of all phenomena in the universe is our own  flesh and blood existence.</strong><br />
<em>So ,  the need for an <strong>Accurate Anthropology</strong> outruns all other  scientific undertakings. </em><br />
<strong>EM </strong>anthropology is  both conjectural,   tendentious, and utterly  inadequate.</p>
<p>I have provided only  an <em>outline beginning </em> of such  theorizing , that debunks EM conjectures: so much much much  work remains to  be done.</p>
<p>Here it is: https://harvardsquareedition.com/on-human-emancipation/<br />
&nbsp;<br />
<strong>&nbsp;<br />
<strong>[©R.Kanth 2024]</strong></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Professor Rajani Kanth, is Author of <em> <strong>Coda</strong></em> (A Novel), <em>A Day in the Life </em>(Novel), <em>Expiations</em> (Verse), and <em>Farewell to Modernism </em>(Political Economy Tract).</strong></p>
<p>&nbsp;</p>
<p>The post <a href="https://harvardsquareedition.com/the-mythical-world/">The Mythical World</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>Ode to Palestine*</title>
		<link>https://harvardsquareedition.com/ode-to-palestine/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Tue, 30 Apr 2024 22:15:57 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14177</guid>

					<description><![CDATA[<p>&#160; “Water, water , everywhere &#8211; but not a crocodile tear to spare”? &#160; GAZA &#160; • Killed: at least 34,488 people, including more than 14,500 children killed • 8,400 women Injured: more than 77,643 people Missing: more than 8,000 • • Occupied West Bank • Killed: at least 491 people, including more than: • [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/ode-to-palestine/">Ode to Palestine*</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>        &nbsp;        </p>
<p>       <strong> “<em>Water, water , everywhere &#8211;<br />
                 but not a crocodile tear  to spare”?</em></strong><br />
              &nbsp;</p>
<p>                     <strong>GAZA</strong><br />
&nbsp;<br />
•	<em>Killed: at least 34,488 people, including more than 14,500 children killed<br />
•	8,400 women Injured: more than 77,643 people  Missing: more than 8,000</em><br />
•<br />
•	<strong>Occupied West Bank</strong></p>
<p>•	<em>Killed: at least 491 people, including more than:<br />
•	124 children  Injured: more than 4,800<br />
•	</em><br />
&nbsp;<br />
________________________________</p>
<p>&nbsp;</p>
<p><em><br />
Shine shine</em><br />
Palestine</p>
<p>though an alien<br />
bleeds<br />
you now</p>
<p><em>brave brave</em><br />
Palestine</p>
<p>for the spirit<br />
leads<br />
you now<br />
 <em><br />
strong strong</em><br />
Palestine</p>
<p>the world<br />
heeds<br />
you now</p>
<p><em>rise rise</em><br />
Palestine</p>
<p>your courage<br />
feeds<br />
you now</p>
<p><em>hail hail</em><br />
Palestine</p>
<p><strong>The <em>Other</em></strong><em><br />
needs you<br />
now</p>
<p>*</p>
<p>You fell<br />
you broke</p>
<p>you lost it<br />
all</p>
<p>but naught<br />
did you<br />
yield </p>
<p>when they<br />
swatted<br />
you</p>
<p>like  so<br />
many<br />
flies</p>
<p><em>you still<br />
held<br />
the field</em></p>
<p>now they<br />
have<br />
lost</p>
<p>and you have<br />
won</p>
<p><em>the Truth is<br />
soon<br />
revealed</em></p>
<p>*<br />
Standing for<br />
your<br />
native rood</p>
<p>you are<br />
heroes<br />
of the hour</p>
<p>they  yet<br />
failed<br />
to drive you<br />
out</p>
<p>despite<br />
their awful<br />
power</p>
<p><em>they<br />
the  brute<br />
invaders</p>
<p>and you<br />
the Fearless<br />
Tower</em></p>
<p>*</p>
<p>All they can do<br />
is <em>kill kill<br />
kill</em></p>
<p>and there ends<br />
their sorry<br />
game</p>
<p><em>but you possess<br />
that<br />
iron will</p>
<p>that no<br />
tyrant<br />
can tame<br />
 </em><br />
*</p>
<p>You will go<br />
down<br />
in history</p>
<p>they will<br />
just<br />
go down</p>
<p>river to the<br />
shining<br />
sea</p>
<p><em>yours the<br />
High<br />
Renown</em></p>
<p>*</p>
<p>So <em>hail hail</em><br />
Palestine</p>
<p>your courage<br />
tributes you<br />
now</p>
<p>and <em>rise<br />
rise</em><br />
Palestine</p>
<p><em>The Other<br />
salutes<br />
you now</em><br />
 &nbsp;<br />
• <em>For  ALL  the innocent <strong>non-combatants</strong> slain in  Palestine as a complicit world, North, South, East,  and West, looked on,  impassively.</em><br />
&nbsp;<br />
<strong>[©R.Kanth 2024]</strong></p>
<p>&nbsp;<br />
<strong>Editor’s Note</strong>: <em>The opinions expressed here by the authors are their own, not those of LitVote.com</em></p>
<p>&nbsp;</p>
<p><strong>Professor Rajani Kanth, is Author of <em> <strong>Coda</strong></em> (A Novel), <em>A Day in the Life </em>(Novel), <em>Expiations</em> (Verse), and <em>Farewell to Modernism </em>(Political Economy Tract).</strong><br />
&nbsp;</p>
<p>The post <a href="https://harvardsquareedition.com/ode-to-palestine/">Ode to Palestine*</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>Of Human Emancipation?</title>
		<link>https://harvardsquareedition.com/on-human-emancipation/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Tue, 23 Apr 2024 00:10:48 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14146</guid>

					<description><![CDATA[<p>&#160; Like civilization itself, IT rests with women. Men are structurally incapable. This has little to do with intentionality. Nor with anthropic notions of virtue and vice, &#160; I have spent a lifetime investigating this problematic. And my conclusions reject all received Euro-Modernist (EM) shibboleths. I do science that is verifiable. No wishful thinking, no [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/on-human-emancipation/">Of Human Emancipation?</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p><strong>Like civilization  itself, IT rests  with women.</strong></p>
<p>Men are <em>structurally</em>  incapable.</p>
<p>This has little to do with <em>intentionality.</em></p>
<p><em>Nor with  anthropic notions of virtue and vice,</em></p>
<p>&nbsp;</p>
<p><em>I have spent a lifetime investigating this problematic.</em></p>
<p><strong>And my conclusions reject all received  Euro-Modernist  (EM) shibboleths.</strong></p>
<p><em>I do science that is verifiable.</p>
<p>No wishful thinking, no idylls.</em></p>
<p><strong>My &#8216;social theory&#8217; is instantly comprehensible, <em>via</em> <em>introspection</em> and <em>observation </em>alone, with  absolutely no recourse to &#8216;higher&#8217; <em>book-learned </em>knowledge, prescribed by the  Self-endorsing Mandarins of Approved Ideas.</strong></p>
<p>Test it out.</p>
<p><strong>N.B.</strong> <em>What I provide, below,  is a bare, suggestive,  outline ,  sketch only, accessible to all.</em></p>
<p>*</p>
<p><em>Here is who we are.</em></p>
<p><strong>We are <em>hominids</em>, close cousins to chimps and bonobos.</strong></p>
<p><em>Exactly like them , we are <strong>instinctually </strong>driven.</em></p>
<p><em>Just like ALL Life on the Planet.</em><br />
<strong></p>
<p><em>Males  appear to take after Chimps, Women after Bonobos</em>.</strong></p>
<p>After your initial  snigger (!) , examine human behavior in  its <em>collective </em>aspect.</p>
<p>And then  compare it to the <em>primates </em> identified.</p>
<p>*</p>
<p><strong>ALL EM social theory is <em>delusional</em>.</strong></p>
<p>Because it leaves out <strong> instincts</strong>, <em>the bird that doesn’t  tweet</em> in its discourse.</p>
<p><strong>Why?</strong></p>
<p><strong>Because of the Judeo-Christian <em>presumption</em> that we are not descended of hominids.</strong></p>
<p>That we are crafted in  the <strong>‘image of god’.</strong></p>
<p><em>If so, god was an ape?</em></p>
<p>Note the anomaly.</p>
<p><strong>Animals are credited with <em>instinctual </em>behavior.</strong></p>
<p><strong>Humans are not.</strong></p>
<p>*</p>
<p><strong>Darwin shocked the world with his perturbing  insight.</strong></p>
<p>But <strong>too late</strong> for <strong>social theory,</strong> which had  been  evolving rapidly  in the prior decades:   <em>his book was published the same year as Marx’ first major published  work.</em></p>
<p>And he (Darwin) , too , was  a bit defensive of his own idea.</p>
<p><em>Malthus had inspired Darwin, but being a parson, could hardly walk that walk, with respect to human evolution.</em></p>
<p>Marx did write to Darwin years later,  expressing his admiration .</p>
<p><em>But none of them explored the<strong> implications</strong>  of Darwin&#8217;s discovery,  for <strong>human behavior</strong>.</em></p>
<p>*</p>
<p>So,  <strong>human males </strong> (in their <strong>collective</strong> aspect), sooner or later,  seek <strong>domination </strong>, <em>when cut loose  from  affective tribal/kinship ties dominated by  women  in their  vital role as progenitors.</em></p>
<p><em><strong>That is the <em>ultimate</em> provenance of all War(s).</strong></em></p>
<p>Similarly,  <strong>women are the <em>original peacemakers</em></strong>:  for  needing to build  a <strong>cordon sanitaire</strong> to raise children safely: <em>safe , i.e., from the predations of men.</em></p>
<p><strong>Civilisation</strong> requires <strong>TWO </strong> important <strong>pacifications of the conditions of human existence</strong>.</p>
<p> <em>The pacification of wild nature, and the pacification of (the equally wild natures , &#8216;<strong>animal spirits&#8217;</strong> of ) men.</em></p>
<p><em>Both have to be ‘tamed’, and  ‘domesticated’.</em></p>
<p><strong>Women</strong> play the key role in the latter , but it is  a <em>perpetual struggle.</em></p>
<p><strong>It is what  I deem, <em>The Essential Tension </em> in our species.</strong></p>
<p>*</p>
<p><strong>When women <em>succeed </em>, we have a relatively pacific tribal community.</p>
<p>Where they <em>fail,</em> as is more often than not,  we have the world as we know it, as tribal forms devolve into <em>empires.</em></strong></p>
<p><em>So,  ALL our  idylls flounder on this  indefeasible  reef.</em></p>
<p><strong><em>Liberte , egalite , socialism</em>, <em>et. al.</em>  all are undermined by  the <em>male struggle to dominate</em>.</strong></p>
<p>That  much is readily ascertainable <strong><em>HIS-Story.</em></strong></p>
<p>*</p>
<p><strong>This does NOT mean that <em>biology  is destiny.</em></strong></p>
<p>But we would be more than foolish to think,  like <strong>EM </strong>ideology,  that we  can simply ‘choose’ to be anything/anytime we wish, and reinvent ourselves on the basis of whimsy.</p>
<p><strong>Freedom is bounded by the recognition of necessity?</strong></p>
<p>&#8216;Freedom&#8217; is another hyped up  EM mantra that ALL EM ideologues (Left and Right)  bow to, with little circumspection .  <strong></p>
<p><strong>But, consider: if I set you &#8216;free&#8217; on an island,  with no family or friends or anyone,  you&#8217;d be &#8216;freer&#8217; than any soul on earth.</strong></p>
<p>Ready?</strong></p>
<p><em>Or,  when you&#8217;re ailing, or down and out, perhaps:  would you choose an ounce of caring and warmth,  or a metric ton of democracy and equality?</em></p>
<p>I supply the above examples as  mild <em>illustrations </em>only, to suggest the specious nature of received ideals: but they are  <em>misleading </em>, since they are based upon &#8216;individual&#8217; choice  parameters,  which is <strong>Not</strong> the<em> method of social science</em>, and not  at all the <em>modus </em>of explanation I am  furthering in support of my arguments.</p>
<p>*</p>
<p>It is high time we  replaced <strong>EM fantasies</strong> with  more realistic assessments.</p>
<p><em>There is , also, no substitute for<strong> science.</strong></em></p>
<p><strong>No ‘<em>wokism’</em> ,  no  pie in the sky dreams,  can alter reality.</strong></p>
<p><em>All of EM theorising is vacuous for <strong>not </strong>being founded on a sound anthropology.</em></p>
<p>*</p>
<p><strong>We are , like other hominids,,  a  grounded , <em><em>tribalist</em>,</em>  <em>familial/kinship and community-oriented</em>  species.</strong></p>
<p><em>Heat-seeking <em> mutualists</em>, where <strong>integrity</strong> is best maintained  in<em> face-to-face </em>relations</em></p>
<p><em>In Gemeinschaft, not Gesellschaft entities.</em></p>
<p><strong>Nations , States, and Globalist Institutions</strong> are <strong>imposed</strong> creations : and we don’t fit well into those stifling straitjackets.</p>
<p>Cut loose from that <em>healing matrix,</em> we court <em>anomie, angst , and alienation.</em></p>
<p><strong>A <em>Band of Convivials </em>are morphed, thereby,  within EM societies, into a <em>Company of Strangers</em>.</strong></p>
<p>All <em>existential despair</em> stems from that: <strong>the fact that <em>Modernist Adversarial Society </em>, based on <em>Asocial Individualism,</em></strong>  keeps us lost and forlorn, or worse, turns us into unhinged <strong>sociopaths and psychopaths.</strong></p>
<p>*</p>
<p><em><em>The US , with its  near 2 mass-shootings a day, <strong>and at war permanently</strong>,  is living/dying proof of that.</em></p>
<p>The UK, its kissing  cousin , with a  &#8216;Minister for Loneliness&#8217;   just about clinches  the Argument.</p>
<p>*</p>
<p><em>EM societies are NOT  anthropic societies, but<strong> contrived </strong>caricatures.</em></em></p>
<p><em>Societal life </em>is not , <em>in the first instance,</em> about any absolutist notions of  <em>liberte, egalite , and democrace </em>(!).</p>
<p>Those are more in the <em>genre </em> of  ‘<em> Game of Thrones’</em>  idylls of  the  Governors seeking to legitimize their rule <em>via</em> meretricious  <em>slogans </em>that promise much,  but deliver little.</p>
<p><strong>It is, <em>instead,</em>  about warmth, mutualism,  caring, cooperation , and conviviality.</p>
<p><em>In short, about love.</em></strong> .</p>
<p><em>A 4-letter word that does NOT intrude into social theory.</em></p>
<p><em>Even the slave ,  if in   a reductio ad absurdum vein of argument  , is capable of  being uplifted/succored by it.</em></p>
<p>*</p>
<p><strong>As <strong>mammals </strong>, our highest need may arguably be to <em>huddle</em>, not to land on Mars,  climb Mt Everest, or dream of full spectrum dominance</strong></p>
<p>We should , by now, know the dark  provenance of that <em>last mentioned </em>reverie?</p>
<p>So let us not,  like King Canute* ,  in EM arrogance/ignorance, order the waves to be still.</p>
<p>Like the vagaries of  human biology, adverted to ,  <em>They</em> obey <em>Another</em> plan.</p>
<p>*</p>
<p>We  were  meant to be <strong>microcosmic</strong> in our habitats and concerns;  our <strong>macrocosmic</strong>  world is  what it is  today owing to the  success (failure?) of <strong>empires</strong> that destroyed those  <em>elementary modes of life.</em></p>
<p><strong>I deem it <em>Human Devolution</em>.</strong></p>
<p>*</p>
<p><strong>So,  one can free oneself  from  ALL  such delusions : and start <em>living</em>.</strong></p>
<p><em>Ask yourself what/whom you really value, after  such illusory EM veils are torn asunder.</em></p>
<p><em>Living in conformity with our  essential</em><strong> species-being</strong>: <em>that is no idyll, nor is it artificial.</em></p>
<p><strong>We are part of Nature, not above it.</strong></p>
<p>*</p>
<p> <strong>EM Utopias</strong> (left or right)  are  mere <strong> chimera.</strong></p>
<p>They keep us mesmerised in a surrogate , fanciful,  world of day-dreaming like Don Quixotes.</p>
<p>Worse, they  can have us throwing our lives away in Struggles for the  Impossible.</p>
<p><strong> All EM Roads, like life itself, lead Nowhere.</strong><br />
&nbsp;<br />
•	<em>Yes, I know the Canute tale has been misunderstood, aside from being , also,  apocryphal</em>.<br />
&nbsp;<br />
<strong>[©R.Kanth 2024]</strong></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Professor Rajani Kanth, is Author of <em> <strong>Coda</strong></em> (A Novel), <em>A Day in the Life </em>(Novel), <em>Expiations</em> (Verse), and <em>Farewell to Modernism </em>(Political Economy Tract).</strong><br />
&nbsp;</p>
<p>The post <a href="https://harvardsquareedition.com/on-human-emancipation/">Of Human Emancipation?</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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		<title>If only</title>
		<link>https://harvardsquareedition.com/if-only/</link>
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		<dc:creator><![CDATA[Rajani]]></dc:creator>
		<pubDate>Mon, 22 Apr 2024 02:03:36 +0000</pubDate>
				<category><![CDATA[LitVote Latest]]></category>
		<guid isPermaLink="false">https://harvardsquareedition.com/?p=14133</guid>

					<description><![CDATA[<p>&#160; If only we could if only we would clasp time in a sieve strain what is good drain what is not benefits remembered misdeeds forgot &#160; * &#160; Each pledge rue tested to keep or let go each love true tested to prove it is so true loves grip true heartbreaks slip through &#160; [&#8230;]</p>
<p>The post <a href="https://harvardsquareedition.com/if-only/">If only</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>If only<br />
we<br />
could </p>
<p>if only<br />
we<br />
would</p>
<p><em>clasp<br />
time in a<br />
sieve</em></p>
<p>strain what<br />
is<br />
good </p>
<p>drain what<br />
is<br />
not</p>
<p>benefits<br />
remembered</p>
<p>misdeeds<br />
forgot<br />
&nbsp;<br />
*<br />
&nbsp;<br />
Each<br />
pledge<br />
rue tested</p>
<p>to keep<br />
or let<br />
go</p>
<p>each love<br />
true<br />
tested</p>
<p>to prove<br />
it<br />
is  so</p>
<p><em>true loves<br />
grip<br />
true</p>
<p>heartbreaks<br />
slip<br />
through</em><br />
&nbsp;<br />
*<br />
&nbsp;<br />
Fair<br />
friends<br />
set  fast</p>
<p>traducers<br />
let<br />
pass</p>
<p><em>if only<br />
we<br />
could</p>
<p>if only<br />
we<br />
would</em></p>
<p>such  tempests<br />
belie</p>
<p><em>we could<br />
live in the<br />
favor</p>
<p>never would<br />
we<br />
waver</p>
<p>O the times<br />
we  would<br />
savor</em><br />
&nbsp;<br />
*<br />
&nbsp;<br />
If only<br />
we<br />
would</p>
<p>if only<br />
we<br />
could</p>
<p><em>clasp<br />
time in a<br />
sieve</em></p>
<p>Oh how<br />
we would<br />
live</p>
<p><em>in reason<br />
and<br />
rhyme</p>
<p>past<br />
treason<br />
of time</em></p>
<p><em>and fear<br />
not<br />
to die</p>
<p>and fear<br />
not<br />
to die</em></p>
<p>&nbsp;<br />
<strong>[©R.Kanth 2024]</strong></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Professor Rajani Kanth, is Author of <em> <strong>Coda</strong></em> (A Novel), <em>A Day in the Life </em>(Novel), <em>Expiations</em> (Verse), and <em>Farewell to Modernism </em>(Political Economy Tract).</strong><br />
&nbsp;</p>
<p>The post <a href="https://harvardsquareedition.com/if-only/">If only</a> appeared first on <a href="https://harvardsquareedition.com">Harvard Square Edition</a>.</p>
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